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11 of 11 people found the following review helpful:
4.0 out of 5 stars
Brosnan excels in otherwise routine techno-thriller, 22 Jan 2008
If there is an example of star charisma pulling a movie through, then it is here, in Brosnan's second Bond outing where he appears effortlessly cool and comfortable in the role. Every time he is on screen, the film works. The director (Roger Spottiswoode) is new to Bond movies, and yet he manages to pull off something that looks just like a Bond movie should - harking back to the Moore era, with quips and the odd comedy moment to add levity to the proceedings.
After a standout opening sequence where Bond infiltrates an arms bazaar on a mountain top before reducing most of the materials on display to scrap, the plot revolves around a media baron out to achieve global media domination. It's a neat updated twist on the megalomaniac idea. To do this, he is engineering a war between Britain and China in order to breach the Chinese media market - this means Bond has to work with a Chinese agent (who coincidentally happens to be a beautiful woman..) to stop the madman before WW III erupts. You know, business as usual for a Bond movie.
One of the standout elements of the movie, is David Arnold's terrific score (with the exception of the main theme tune) - finally, someone has taken on John Barry's mantle, and taken the Bond themes and not just run with them but given them new life, livening them up for a new generation - fantastic stuff. Other ingredients which hit exactly the right note are Judi Dench as M, Teri Hatcher as the (rather short-lived) Bond girl, Michelle Yeoh's spunky Chinese agent and the remote control car chase.
There are however some real problems with the movie. One or two of the action scenes are a little too orchestrated... the helicopter trying to slice up Bond with its blades must have looked great on paper, but fails to convince. And then the old Bond movie dilemma - when the bad guy is not good, the movie falls flat. Jonathan Pryce is never really menacing - He doesn't even look as menacing as the real Rupert Murdoch! He just looks like an actor spouting menacing lines.. and speaking of lines, the script veers from some real witty quips (Admiral Roebuck: `With all due respect, M, I think you don't have the balls for this job.' M: `Maybe. But the advantage is, I don't have to think with them all the time.'), to some real clunkers that fall flat on delivery (`There's no news like bad news ` - how long did it take to come up with that classic??).
The great thing about Bond movies is how they walk the tightrope of cliché to deliver the same old Bond film ingredients, but with inventiveness. With the Bike chase, the car chase, the quirky and interesting secondary characters, that is exactly what this movie does - for the first half. Then, the second half falls into the trap of just being Bond running about killing people, waving a machine gun around instead of killing carefully and with precision the way he ought to, trying hard to kill a guy with grey hair and glasses. It's as much action as we have seen in a Bond finale in a long time, but it does not really thrill.
That aside, if you can try and ignore the ubiquitous product placement, then the cocktail of Brosnan excelling in a role he seems destined to play, David Arnold's exciting score, and Michelle Yeoh matching Bond bullet for bullet and kick for kick rather than be the dull women on the sideline, makes this worth a watch.
As per the other Brosnan releases, there is a gaping hole in the extras where we might expect a retrospective documentary, however that quibble aside there are plenty of other extras, with two commentaries, storyboards, deleted scenes ( none of which are memorable) and a couple of fluff pieces about `the making of' that offer no insight into the genesis of story or movie in general. Good, but not quite `ultimate'. Picture and sound are perfect, as we have come to expect in this remastered series.
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8 of 8 people found the following review helpful:
3.0 out of 5 stars
Bond Meets The Media, 8 April 2009
Tomorrow Never Dies is the eighteenth film in the James Bond saga, and is the second film where Pierce Brosnan stars as the famous spy for MI6.
Released in 1997 and directed by Roger Spottiswoode, the film also stars Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Vincent Schiavelli, and Judi Dench who once again plays M.
In Tomorrow Never Dies, James Bond investigates the apparent sinking of a British Warship by the Chinese air force. The events of which, makes relations between Britain and China take a turn for the worst, and has the potential to start a third world war. However behind the scenes and manipulating both sides is a media tycoon called Elliot Carver. In his mind the Chinese are the only thing standing between his network (Carver Media Group) having a total global empire of communications with the power to reach every single person on the planet.
Naturally it wouldn't be a Bond film without the explosions, nice cars, car chases, gadgets and girls, and the action packed Tomorrow Never Dies provides all on a silver platter.
I've always liked Pierce Brosnan as James Bond, he seems very fitting and suited for the role, and comes across as a more serious and composed secret agent. Teaming Bond up with the Chinese spy Wai Li (played by Michelle Yeoh) was a great idea, as the pair work well together as allies.
The film is packed with explosive action scenes, all of which are entertaining and have been produced to a high standard. There are some great scenes throughout the film, such as the wall walking scene, and not to forget some great one-liners. "We have no interest in seeing World War Three, unless we start it." And not to forget Bonds line after throwing a man in to a printing press machine - "They'll print anything these days." All of which adds a much needed element of comedy to the film, something I think would enhance any Bond film and as such is a welcome addition.
Sadly after saying all that, I'm left with a film that's a bit disappointing.
Tomorrow Never Dies jumps about a lot and a degree of attention is required from the viewer to keep up with everything that is going on. Even so the plot and script come across as weak at times especially towards the end.
The main problem is that the film eventually leads to a show down on Elliot Carver's (very science fiction like) stealth boat. All things considered, and with everything we had seen on the screen up until that point, I was looking for something a bit more explosive and gripping.
I'm not exactly sure about the motives behind Carver's plan to start a war. Is it because China has refused broadcast rights, is it something just to feed his megalomaniac ego, or because he wants his network to have exclusive and complete coverage of any conflict. Whatever the reason, to me anyway it seems like a slightly far-fetched motive and not quite as convincing as seen in previous Bond films.
I've never been a fan of the opening credits in many James Bond films, as I feel that they go on for far too long, and it's the same in the case of this film.
Despite its problems, the great special effects and good acting makes for an overall entertaining and enjoyable film. While it's not the greatest Bond film of all time (it wouldn't even make it in to my top three,) it is still worthy of the James Bond title.
I have always came across mixed reviews about this film both from Bond film fans and non-fans alike, and while it has its problems I don't think it's as bad as some would have you believe. At the very least it deserves to be watched, and at the end of the day is perhaps one of those films that your better making up your own mind about.
(I'm a reviewer on Amazon, and some my reviews are copied from there to dooyoo. Please feel free to check out my Amazon profile under my real name of Mr Andrew M Kerr.)
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7 of 9 people found the following review helpful:
4.0 out of 5 stars
Not quite up to GOLDENEYE standard, but still quite cool., 23 Jul 2006
Elliot Carver (Jonathan Pryce, DE-LOVELY, PIRATES OF THE CARIBBEAN) is a global telecommunications mogal who has just to break into the Chinese market to completely cover the whole world with his broadcasting. To get a stranglehold in this evasive market, he stages a plot to try and get the British and the Chinese to start a war, upon which he would report and take pictures. As a result, a British warship is sunk, and M (Dame Judi Dench) sends James Bond (Pierce Brosnan) to the area to discover what is going on and to put an end to it. It is in doing so that he meets and teams up with what could be an equivalent to him, Chinese agent Wai Lin (Michelle Yeoh; CROUCHING TIGER, HIDDEN DRAGON; MEMOIRS OF A GEISHA; POLICE STORY III: SUPERCOP), who was reportedly very popular with female Bond fans!
Also featuring Geoffrey Palmer (who at the time was starring in a TV series with Dench, AS TIME GOES BY -- the scenes with these two together are very funny), Teri Hatcher (TV's DESPERATE HOUSEWIVES) as Paris Carver (Elliot's wife, who once had a relationship with Bond) and Joe Don Baker (reprising his role as Jack Wade from GOLDENEYE), the film doesn't have quite the same level of enjoyment that GOLDENEYE had (and Jonathan Pryce's villain is hardly that much of a threat to Bond), but is still enjoyable enough to recommend it. Desmond Llewelyn returns as Q yet again, giving his usual gadgets, in particular a remote-controlled car, with the controls in Bond's mobile phone.
This Ultimate Edition, like the GOLDENEYE one, contains a first for the UK public: the UNCUT version, as stated on the cover under the title. The BBFC waived all of their cuts applied to the previous 12-rated versions, allowing this uncut version under their Different Versions at Different Categories Policy 2004. As a result, the film is now rated 15; the fight sounds are restored to their original louder volume, and another restoration is that Wai Lin now uses a weapon that the BBFC didn't allow when the film was originally classified, but do now allow under newer guidelines.
There is also a Bonus Disc crammed with various features, but the fact that the film is now uncut should attract loyal fans, especially if, for whatever reason, they didn't buy any of the previous versions.
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