Most Helpful Customer Reviews
|
|
9 of 9 people found the following review helpful:
The iconic Bond movie, 4 Aug 2007
As is oft quoted, this movie is where all the ingredients came together. Whether this is your favourite Bond movie or not, probably depends mostly on how you appreciated the change in tone that happened with this movie. Guy Hamilton took over directing duties, and recognised the whole tongue in cheek potential of the franchise, as exemplified by the opening sequence, and ran with that. This opening sequence has Bond swim up `disguised' with a duck on his head, and run around setting charges in an extravagant Ken Adams designed set, before suavely peeling back the dry suit to reveal an immaculate white suit, flourishing a carnation for his lapel from who-knows-where, and sauntering in to seduce a lady in a bar. This mini-story within a story exemplifies all that was to come in the movie and movies to follow. Suave, funny, action packed, and of course just a little bit over the top.
Much is said of the fact that gadgets came to the fore - the Aston Martin is introduced in spectacular form, and the women are both beautiful and played by talented actresses. Honor Blackman as Pussy Galore was the first leading Bond lady who actually had previous acting experience (and at 36, the oldest actress to play a Bond lady). John Barry has also crafted a fully realised score for the movie far superior to his earlier work on Bond movies. However, two things above all make Goldfinger a success. Firstly, Sean Connery is by now completely at home with the character. His comfort in the role without yet being tired of it adds immeasurably to the charm of the movie. Secondly, the true measure of a Bond movie is in how good the villain is - and Gert Frobe makes a fantastic megalomaniac. You only have to check out the two screen tests for other actors to realise just how different the movie would have been without his exuberant style. The character, as well as key movie plotlines, rely on his bombastic enthusiasm for boasting, and Frobe makes this a believable trait.
Whether you like the comedic elements or not, the fact is that Guy Hamilton clearly got the balance right to appeal to the widest possible audience. Goldfinger was not just a hit - it was a phenomenon. This is amply demonstrated in the extras, which include all of the Special Edition extras plus various period interviews and feauturettes, including an open-ended interview with Honor Blackman, on set chat with Connery, the aforementioned screen tests and a 10 minute BBC feature on the Aston Martin touring to promote the film. Despite these additions, the best of all is still the entertaining and thorough half hour documentary and movie commentary from the Special Edition.
In reality, as a film Goldfinger does not deserve 5 stars. But this is not reality - this is entertainment. And as the most defining iconic movie of a 20th Century hero, this movie has more than enough entertainment value to override the quibbles and make this a 5 star success.
|
|
|
4 of 4 people found the following review helpful:
the best of bond, 4 Mar 2007
This, with 'Dr. No', is for me the best Bond film. I saw it when it first came out, grew up with it, and can quote quite a few of the best lines ('No, Mr. Bond, I expect you to die ...'). It is genuinely sinister in places - poor Shirley Eaton, killed by the creepy method of being painted gold from head to foot. It is genuinely funny too, has a splendidly gung-ho villain in Gert Frobe and a marvellous sidekick in Odd-Job with his interesting metal hat, a lithe performance from a still fairly young Sean Connery and an excellent female foil in Honor Blackman. It is also well-paced and, while not short of spectacular scenes, places them in such a way that | |