Most Helpful Customer Reviews
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19 of 22 people found the following review helpful:
One of the weakest Bond Films , 4 Dec 2006
Although Goldeneye is now regarded as one of the best James Bond films, the quality of the Pierce Brosnan films has declined with each subsequent outing following his 1995 debut. In particular The World Is Not Enough and Die Another Day are alongside Moonraker the worst entries in the series. Like Moonraker, Die Another Day is simply a step to far into the realms of fanatsy. The invisble car which Bond drives in this film has been widely criticised. I also found it unbelievable that the central villian received a knighthood despite being totally unknown just a few montsh earlier. The one liners in this film become a real distraction and are corny and not at all funny. The effects are also a letdown, a first for a Bond film. Just as Moonraker returned to Earth with the excellent For Your Eyes Only, Die ANothe Day was succeeded by the far more serious and gritty Casino Royale. Thankfully the producers realised their errors.
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9 of 10 people found the following review helpful:
Overblown end to Brosnan's tenure as Bond, 14 Feb 2008
Sadly, Brosnan's fourth and last outing as Bond is as tired, cheesy and over the top as Roger Moore's 4th Bond movie was.. Given that original script ideas for this story were taken from Moonraker, the symmetry is ironic.
Bond is captured in Korea, but is released as a prisoner transfer because the Americans suspect he has broken under torture. Removed of his 00 status (what, again?) he goes renegade to track down the mole that betrayed him. Along the way he crosses paths with a CIA agent (Halle Berry) and the trail leads to Gustaf Graves (Toby Stephens). Graves' unlikely Iceland diamond mine is a cover for the development of a powerful satellite based weapon which uses diamonds to focus the sun's energy to... oh, who cares, its all as ridiculous, if not more so, than a compilation of Bond's worst moments.
The movie muddles through feeling like someone forgot to shake OR stir, until the awful moment when the movie becomes irredeemably lost. A cgi Bond surfs on a wave using a parachute for guidance, in one of the most abysmally poorly executed special effects scenes put to film. Bond movies are always fantastic, sure, but they always have a veneer of reality - the gadgets look like they COULD work, the stunts you see are done for real, even if the stuntmen do have safety wires.. but here, all that heritage is thrown out the window, and the movie never quite recovers. Indeed, a few scenes later Bond gets into his invisible car just to seal the deal.
On the plus side there is a stunning set piece car chase on ice, with the Jaguar and Aston Martin going tete a tete, a pleasing sword-fight ina gentlemans club in London, and David Arnold puts in his usual excellent score with multiple references to previous movies for the fans. Indeed, the numerous references to previous movies (most notably in the `Q' sequence, with gadgets from previous movies littering the background) are one of the few real pleasures of the movie. Halle Berry performs her task of looking hot in leather, and doing `that' walk out of the sea emulating Ursula Andress but with none of the mystery or charm. Rosamund Pike puts in a decent performance, and Judi Dench does what she is supposed to... but John Cleese is just not quite right yet as Q (though better than TWINE), and cameos from Madonna and Michael Madsen are an embarrassment. Toby Stephens does his best to make his hard to believe character believable, but none of the actors can rescue the movie from some of the most painful one liners and simply awful lines for many a year. A large chunk of the blame has to go to director Lee Tamahori, whose propensity for slowing and speeding up events is more `The Matrix' than Bond's classic style.
With an overblown budget and anticipation running as high as it had for a Bond movie, Die Another Day didn't just lose the race, it fell flat on its face somewhere along the way. Sure, you have to watch it to complete the Bond saga, but be grateful that just as Moonraker's excesses inspired the makers to return to basics in For Your Eyes Only, we can thank Die Another Day for bringing the producers to their senses and whittling Bond down to the basic ingredients again for Casino Royale.
For an Ultimate Edition, this is the least well stocked disc in the extras department - no trailers, few documentaries, no music video etc.. however, it has to be said the extras included do cover the making of process from script through to realisation pretty well. An hour long documentary on script to screen is moderately revealing, and the other half hour documentary gives a fascinating glimpse into what it takes to get an Aston Martin to slide like that on ice - and what happens when it goes wrong. Extras are rounded out with a 3 minute peek into how British Airways helped out, and Peter Lamont's home video of location scouting and a video diary of one day in the shoot, giving a glimpse into Lee Tamahori's directorial style.
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