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31 of 31 people found the following review helpful:
Dartmoor Delight, 10 Dec 2006
This album represents the best of modern folk. It clearly has traditional influences and sensibility, but nevertheless has an edginess to it which gives it a modern feel.
The songs are inspired by the writer's home in Dartmoor and this allows for great variety ranging from old fashioned murder ballads to tales of the moors and the excitement (and the dread) of setting out to sea.
The outstanding track is the title number Kitty Jay, a sad tale of betrayal driven by a fantastic string riff.
Well worth exploring if you fancy dipping your toe in the waters of modern folk.
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28 of 29 people found the following review helpful:
Seth's second is a future classic, 22 April 2004
The majority of tracks on this CD are penned by Seth, who is one third ofthe prodigious Lakeman brothers (see also Equation; Cara Dillon). Theother tracks included have been given Seth's own distinctive treatment,and the overall impression is of a rich and seamless tapestry. As befits acollection of songs inspired by tales from his Dartmoor home, they allhave a much more traditional feel than his previous solo album (The PunchBowl). The compelling imagery on this tapestry ranges from sumptuousPre-Raphaelite (The Bold Knight), to stark minimalism (Cape Clear). LikeDartmoor, many of the tracks have a dark and threatening atmosphere (evenfor traditional folk music, there is an abnormally high body count -murder, suicide, battles, accidental death and lost love), but the finaltrack (The Streamers) more than compensates - it is like the sun breakingthrough clouds, and could dispel the deepest gloom. It is an anthem tocarefree innocence - I've sat on that hill, looked at that view, in thatcompany, and been guided by the angels! Thank you Seth, this CD is a gem.
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29 of 31 people found the following review helpful:
A star rising in the South-West, 25 May 2004
Seth Lakeman might be known to many folk music fans as an erstwhile Oysterband collaborator but make no mistake, Seth has a style and a sound all of his own. Perhaps owing more to classic Fairport Convention than to the modern folk-rock synthesists this is an impressive debut set from the young man from Plymouth. Most of the songs here are either written about or inspired by the people and landscape of Devon are, without exception, immaculately crafted and performed. From haunting instrumentals to sea shanties, Seth pulls it all off with the same expertise and enthusiasm. I shall eagerly await more from this rising star.
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