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Complete Blue Horizon Sessions
 
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Complete Blue Horizon Sessions [Original recording remastered]

~ Otis Spann
5.0 out of 5 stars See all reviews (2 customer reviews)
Price: £7.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (8 May 2006)
  • Number of Discs: 2
  • Format: Original recording remastered
  • Label: Blue Horizon
  • ASIN: B000F2C7PO
  • Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 38,274 in Music (See Bestsellers in Music)

    Popular in these categories:

    #49 in  Music > Blues > Instruments > Piano
    #96 in  Music > Blues > Chicago & Urban Blues

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Track Listings

Disc: 1
1. Can't Do Me No Good
2. Bloody Murder
3. Someday Soon Baby
4. Hungry Country Girl
5. My Love Depends On You
6. Walkin'
7. It Was A Big Thing
8. Temperature Is Rising (100.2F)
9. Dig You
10. No More Doggin'
See all 14 tracks on this disc
Disc: 2
1. No More Doggin'
2. No More Doggin'
3. I Need Some Air
4. Walkin'
5. Walkin'
6. Blues For Hippies
7. Temperature Is Rising (98.8F)
8. Someday Baby
9. Someday Baby
10. Someday Baby
See all 14 tracks on this disc

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blues
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Customer Reviews

2 Reviews
5 star:
 (2)
4 star:    (0)
3 star:    (0)
2 star:    (0)
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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
10 of 10 people found the following review helpful:
5.0 out of 5 stars £100 Vinyl Rarity LP Reissued Along With A Huge Trawl Of Stunning Unissued Material!, 28 Oct 2007
By Mark Barry at Revival Records, Berwick Street (London, UK) - See all my reviews
(TOP 500 REVIEWER)      
Released in May 1969, "The Biggest Things Since Colossus" is Otis Spann's sole LP on the cult Blue Horizon label and has long been a notoriously difficult to find vinyl rarity - clocking in at a ton - if you can locate one! This superlative 2CD remastered 2006 re-issue is roughly based around that album. Here's the breakdown:

DISC 1
Tracks 1 and 2 are the non-LP A & B-side of his 1st UK 7" single on Blue Horizon Records (57-3142) from 1968
Tracks 3 and 4 are on the 20-track 2LP set "Blues Jam At Chess" on Blue Horizon Records (7-66227) from 1969
Tracks 5 to 14 are the entire LP "The Biggest Thing Since Colossos" on Blue Horizon Records (7-63217) from 1969 (false starts, studio talk are included along with the master takes)

The band line-up on Tracks 1 and 2 is Otis Spann (vocals and piano), Walter "Shakey" Horton (harmonica), Johnny Shines (guitar), Willie Dixon (Upright Bass) and Clifton James (Drums)
The band line-up on Tracks 3 and 4 is Otis Spann (vocals and piano), Peter Green and Danny Kirwan (guitars), John McVie (Bass) and Mick Fleetwood (Drums)
The band line-up on Tracks 5 to 14 is Otis Spann (vocals and piano), Peter Green and Danny Kirwan (guitars), John McVie (Bass) and S.P. Leary replacing Mick Fleetwood (Drums)

DISC 2
Tracks 1 to 14 are all previously unissued versions with studio chatter and false starts included (with the same band line-up as "The Biggest Thing..." sessions).

There's a couple of niggles worth mentioning. "Someday Baby", the last track on Disc 1, is credited as being written by Otis Spann, but I'm sure it's a cover of a Sleepy John Estes and Hammock Nixon song from the 1940's (an admin eror no doubt). Second is the title of the set itself - "The Complete...Sessions" - when it actually isn't complete! Tracks 3 and 4 on Disc 1 are from the 2LP set "Blues Jam At Chess" as I've already pointed out, but there are in fact 7 more tracks on that double featuring Otis Spann (with Fleetwood Mac accompanying). You'll have to buy the 2 volumes now titled "Blues Jam In Chicago Volume One" and "Blues Jam In Chicago Volume Two" to truly get a 'complete' picture of that hugely productive year - 1969. Third, there's also his work on the Johnny Shines Blue Horizon LP "Last Night's Dream" again from 1969 - not featured at all on this release (and unfortunately, still not yet released on a BH CD). And fourth is his fantastic piano contributions to Johnny Young's sole Blue Horizon LP, "Fat Mandolin", now re-issued on CD as "The Complete Blue Horizon Sessions" (see separate review). All in all, it could have been a 3CD set, but would probably have been commercially unviable as such. Besides, as I say, the tracks are available on seperate releases if you really want them. If anything, the absences on this 2CD set only wet the appetite for more.

Anyway, back to this issue. Spann was clearly as enamoured with Peter Green and his motley British crew as they were with him, both singing each others' respective praises between takes and clearly enjoying the whole recording process. Tragically Spann was taken ill in early 1970 and died of cancer in April of that year, criminally robbing the blues world of a legend at only 40 years of age. The liner notes explain that because of non-payment of musician union dues, for the lack of $1000, his plot remained without a headstone for years - until an internet campaign was launched - and in June 1999 - a headstone was finally dedicated to him reading "Otis Played The Deepest Blues We Ever Heard. He'll Play In Our Hearts Forever". Mike Vernon, producer of this re-issue and leading light at Blue Horizon, contributed to that campaign - and it's clear from his detailed and affectionate liner notes - that this project was a labour of love for him. Luckily it's been so for us too.

Complete with a card-wrap on the outside, this is a classy release for a bluesman who has remained in relative obscurity for way too long. Fantastic sound, beautifully presented, wads of unheard gems - a masterful release - and one I urge you to purchase pronto.

PS: the JOHNNY SHINES CD "The Complete Blue Horizon Sessions" also has OTIS SPANN on it.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars A gem!, 22 Feb 2008
By J. HOLMES (uk) - See all my reviews
(REAL NAME)   
The previous review says it all, so I can but agree with every word! Otis Spann was a piano player without peer in post-war blues, and a much under-rated vocalist. He was at home as a solo artist, or with a band. In either context his playing was subtle, inventive, and touched your soul (it certainly touched mine, anyway!). I don't think Otis ever played a note that wasn't perfect for the occasion.

His work with Fleetwood Mac was top-quality, and they provided very sympathetic backing, with beautifully understated guitar from both Peter Green and Danny Kirwan.

This is an essential purchase for anyone with an interest in post-war blues.
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