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Esa Noche Yo Baila - Feast and Devotion in High Peru of the 17th Century

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Esa Noche Yo Baila - Feast and Devotion in High Peru of the 17th Century [Hybrid SACD]
~ Various Composers (Artist)

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Product details

Audio CD (26 Jun 2006)
Number of Discs: 1
Format: Hybrid SACD
Label: Arts
ASIN: B000F1ILR8
Average Customer Review: No customer reviews yet. Be the first.
Amazon.co.uk Sales Rank: 302,552 in Music (See Bestsellers in Music)

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Track Listings

1. Peruvian anonymous (17th century): Tonada la lata

2. Cachua al nacimiento de Christo Nuestro Senor

3. Santiago de Murcia: Marizapalos

4. Juan Cabanilles: Tiento XXlV de falsas

5. Jose Marin: Desenganemonos ya

6. Pedro Ximenez: Caballero de armas blancas

7. Francisco Guerau: Villano

8. Jose Marin: Ojos pues me me desdenais

9. No piense Menguilla

10. Peruvian anonymous: Zapateo

11. Maria todo es Maria

12. Juan Cabanilles: Tiento Xlll de dos tiples y dos baixos

13. Tomas de Herrera: Hijos de Eva tributaries

14. Jose Marin: Tortolilla si no es por amor

15. Spanish anonymous: Pasacalles de primer tono l

16. Clemente Imana: Filis yo tengo

17. Santiago de Murcia:La jotta / Tonada la donosa

18. Spanish anonymous: Entrada de clarin antes de tocar canciones

19. Bolivian anonymous: Esa noche yo baila

20. Peruvian anonymous: Don Pedro a quien los crueles

Product Description

Album Description
It's no longer a secret among lovers and early music that the repertoire of 17th century Latin-American music holds real treasures. The colonisation of large parts of the Americas by the Roman Catholic countries of Europe had inevitably brought the sacred and devotional music of the church to the ethnic population of these areas. As these sounds became absorbed into the culture, the resulting music incorporated a heady concoction of the sacred, the secular, and the pagan spirit.

The music is fascinating because apparently incompatible elements such as dances, women, God and the Virgin Mary were brought together. Borders between the culture of the common people and the noble, between the clerical and secular world were overstepped. Pictures of love and devotion as well as feasts and worship come to mind whilst listening to this Hispanic-American Baroque music.

The Colombian ensemble MÚSÍCA FÍCTA are renowned for their interpretation and performance of the vocal and instrumental music of Latin-America during this time, and have here gathered together some of the most beguiling examples of this art in this fascinating collection.

Personnel:
Musica Ficta, Jairo Serrano - (tenor, percussion), Julian Navarro - (baroque guitar, vihuela de mano), Carlos Serrano - (recorders, shawm, pipe and tabor), Elisabeth Wright - (harpsichord)