Amazon.co.uk Review
The film adaptation of Nick Hornby's
High Fidelity was always going to need a killer soundtrack: the novel, after all, is about the owner of Championship Vinyl, a specialist record shop that specialises in berating customers whose taste isn't refined enough. John Cusack and co. have done a bang-up job (Cusack not only stars; he also co-produced), assembling a list of accessible favourites from artists old and new, obscure and (gasp!) popular. Alongside lesser-known classics from the likes of Bob Dylan, the Velvet Underground, Barry White, Stevie Wonder, the Kinks and Aretha Franklin (an impressive list in itself!), there are classics-to-be from modern critical faves such as The Beta Band, Smog and Stereolab. In fact, there's only one genuine hit--The Jam's "A Town Called Malice"--and it's neatly matched up with "You're Gonna Miss Me" from the proto-psychedelic garage rockers The Thirteenth Floor Elevators. (Obscure trivia fact: the Elevators' are best-known for vocalist Roky Erickson, who underwent shock treatment and never was the same again.) There's also an impassioned version of "Let's Get It On" by Jack Black, who plays one of the store clerks in the film, but also has a cult following in the States for his spoof band, Tenacious D. True musos will debate the merits of the soundtrack endlessly (why not Otis Redding instead of Stevie Wonder? why two cuts from the VU?), but--for once--that's not the mark of an inferior product: the
High Fidelity soundtrack is every bit as good as the book that inspired it.
--Randy Silver