Amazon.co.uk Review
Munich is a film with no easy answers, and plenty of uncomfortable moments. It also finds Steven Spielberg on masterly form behind the camera, telling a relentlessly serious and unsettling story with the gravitas it absolutely requires.
Set immediately after the murder of nine Israeli athletes at the 1972 Munich Olympics (an event thats brutally re-enacted), the film is supposedly a fictionalised account based on true events of what happened next. Namely, the Israelis ordering together a secret team--led by Eric Banas Avner--to take out those they considered responsible.
Only its not that easy. It doesnt take long for the film to start blurring the moral debate. Is what Avner and his team are doing that different from the original assassins? Can he reconcile the brutality of his actions? And what happens when the programme of retaliation doesnt go quite to plan?
By turns, Munich is a brutal, gripping and important film. Its not always easy to penetrate, and it really demands some good old-fashioned concentration to fully appreciate it. Yet its superb filmmaking, and an engrossing piece of cinema. Oscar may have snubbed it, but youd be wise not to make the same mistake.--Jon Foster
Synopsis
A thought-provoking surprise from famed director Steven Spielberg, MUNICH explores the after effects of the brutal terrorist attacks on the Israeli athletic team at that German city's 1972 Olympic Games. Loosely adapted from the book VENGEANCE by Hungarian George Jonas, the script was largely written by the provocative, award-winning playwright Tony Kushner (ANGELS IN AMERICA), who lends an incisive intelligence to the dialogue. The film begins with the violent sequence of the terrorists carrying out their attacks on the Israelis; a bloody and gruesome sequence that is deftly and beautifully handled by Spielberg and his brilliant cinematographer, Januzs Kaminski. Back in Israel, we meet the handsome and charming Avner, deeply in love with his beautiful, pregnant wife. Domestic bliss is short-lived however; immediately following these Black September attacks, Avner (THE HULK's Eric Bana), the son of an Israeli hero, is summoned by his country's famed secret service agency, the Mossad, to carry out violent retaliations against those Palestinian terrorists allegedly behind the Munich massacre. Commanded from afar by prickly government agent Ephraim (the inimitable Geoffrey Rush), Avner and his team of handpicked men pugnacious South African Steve (Daniel Craig), goofy ex-toy maker Robert (French actor Matthieu Kassovitz), morally conflicted Carl (Ciaran Hinds), and terse professional Hans (Hanns Zischler) must deal with some shady, nefarious international figures as they track down their Palestinian prey. Their mission takes them everywhere, from the villas of Rome to a seedy hotel in Cyprus, and with each successful kill, Avner's iron will begins to dissolve, and guilt and doubt begin to take hold of his conscience. Strong performances (particularly by the magnetic Eric Bana), gripping action, moral complexity, and a political urgency make the film not only consistently entertaining, but enormously important. Kushner and Spielberg work together to make it clear that the past informs the present, and the lingering final shot should leave viewers with much to think about.