Most Helpful Customer Reviews
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24 of 25 people found the following review helpful:
5.0 out of 5 stars
A marvellous classic of the Italian cinema, 26 Jul 2007
Vittoria de Sica's famous film is as powerful, raw and moving now as it was when it was made - and in addition it has something of the feel of a historical document, portraying as it does the desperation of an honest man with a wife and children in the social and economic maelstrom of post-War Italy. He gets a job - hundreds do not - as a bill-poster, but he must have a bicycle ; the job depends on it. With difficulty he gets one, but on his first day at work, it is stolen. What looked like a promising future will turn to ashes for him, his wife and his two children, one a baby, if the bicycle is not recovered. With his son Bruno, wonderfully, wonderfully played by Enzo Staiolla, he sets out on a desperate quest to find the bicycle among the thousands and thousands in the city. The film moves through a series of episodes in the market place, a church ministering to the poor, the riverside, a brothel, a seedy quarter where he actually comes upon the thief, and so on until, at the end, despair drives him mad and, in view of his son, he himself turns quite against character and lets himself down in a tragically convincing way. There is no silver lining and no solution ; the film just ends. It is constantly involving, beautifully made, marvellously acted and even has little touches of humour, but in the end we are left with the memory of the strength of the relationship between father and son and the hope, but not the certainty, that somehow things will turn out all right. It is a wonderful film.
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36 of 40 people found the following review helpful:
5.0 out of 5 stars
Important Piece Of Cinema History, 20 Feb 2006
The Italian neo-realist film movement began around the end of WWII with Roberto Rossellini's OPEN CITY in 1946. It is defined and encapsulated by this striking film directed by Vittorio De Sica. THE BICYCLE THIEVES is the best of a group of films that depicted the hardship and despair that Europeans, specifically Italians, went through after the death and destruction of the war. The economy was horrible, and the towns and cities were half-destroyed and decaying. Rome is the location for THE BICYCLE THIEVES and De Sica shoots the city in grainy black and white with non-professional actors to get a simple, yet unbearingly emotional point across. A simple thing such as a bike can be someone's entire world at that time and losing it means doing something irrational or perhaps necessary.The lead in the film is played by Lamberto Maggiorani who seems to be a very good actor. He is not an actor, however, and maybe this is why the film hits its mark so well and comes across so realistically. Maggiorani is of this difficult world and his brooding face is a clear indication of this. His job is to plaster film posters up on the walls of buildings all over Rome. He even hangs a picture that symbolizes the absolute opposite of the misery surrounding him. Rita Hayworth from GILDA is on the walls all over the city, a sign of joy to some, a representation of their own lowly status to others. When the bicycle is actually stolen, the "title" character is sought after by Maggiorani and his young son (Enzo Staiola), a little kid with so much acting ability, you swear this must be a documentary. A grueling search throughout Rome has the essential parts of the movie, because we see up close the actual people and places the neo-realist film movement came to represent. It is a small, sad world they live in and the bike has to be found so that they can live. The father is put to the ultimate test in front of his son. Will he do the honorable thing or will he do what his mind and heart know is only possible? These are the tense moments of the film's climax. There is a lot of THE BICYCLE THIEVES in Benigni's LIFE IS BEAUTIFUL and some obvious comparisons have been drawn because of the father-son relationship. They are worthy of comparison and have equal artistic prowess. What is different about THE BICYCLE THIEVES is the level of intensity maintained throughout. I felt the key element was the music by Alessandro Cicognini, a simple horn that plays so tragically that it is a main character in the picture. What De Sica does here, as well as other neo-realist directors (Rossellini, Fellini), is create for American audiences a powerful counterpoint to what we are used to. An honest, non-corporate portrait of the struggle for life and self-respect. THE BICYCLE THIEVES is one of the finest films ever made and restored / remastered deservedly on this dvd.
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29 of 34 people found the following review helpful:
4.0 out of 5 stars
No translation given, 1 Oct 2006
Bicycle Thieves is of course a marvelous movie. I have just one issue with the DVD. For about one third (I'm not exaggerating) of the dialogue, which is (thankfully) in its original Italian, there is no translation given. Maybe the subtitlers deemed these parts unimportant or obvious. Well, I'd like to decide that on my own, and would therefore appreciate it, if in a new edition ALL dialogue had subtitles. I mean no offence by that and hope Arrow understands my frustration with being lost in, well, missing translation.
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