Primarily a road movie, it follows Johnston as he tracks back over his past romances and flings, in an attempt to find out who mothered his child, and ultimately, to meet his son. It’s not a task he’s too keen on, and one primarily undertaken at the urging of his next door neighbour. Yet it does make for a compelling film, anchored by yet another superb performance from Bill Murray, as Johnston.

The equal of his work in Lost In Translation, he’s very much the heart of this slow, diligent movie, that doesn’t answer the majority of the questions it poses, yet proves to be something well worth seeking out. And he’s well supported too, not least by Sharon Stone, who turns in lively, yet measured, work as one of Johnston’s exes.

Still, Broken Flowers is clearly not a movie for everybody, with its relaxed pace and willingness to not worry about ticking every box unlikely to earn it truly mass appeal. But it is a little gem in its own right, and a strong addition to an already weight back catalogue for indie moviemaker Jim Jarmusch. It’s worth it alone for Murray, yet Broken Flowers is a movie with plenty else going for it too. Perhaps you might like to give it a try…?--Simon Brew

Synopsis
With 'Broken Flowers', staunchly independent filmmaker Jim Jarmusch delivers one of his most pleasing, accessible pictures. Winner of the 2005 Grand Prix at the Cannes Film Festival, the film tells the story of Don Johnston (Bill Murray), a man overflowing with wealth but void of emotion. On the day that his most recent girlfriend (Julie Delpy) has given up on him for good, he learns, through an anonymous letter, that he might be the father of a 19-year-old boy. Spurned into action by his wannabe private eye neighbour, Winston (Jeffrey Wright), Don sets off on a personal journey to visit the former partners who may or may not have mothered his child. They include the flighty Laura (Sharon Stone), whose daughter Lolita (Alexis Dziena) certainly lives up to her name; the uptight Dora (Frances Conroy), who has settled into a sterile life with her chipper husband Ron (Christopher McDonald); the strangely distant Carmen (Jessica Lange), who makes a living as an Animal Communicator and, finally, Penny (Tilda Swinton), a hard-edged biker who is the least happiest to see Don. Each confrontation leaves Don feeling more lost than the last, spinning him into an even greater state of apathetic confusion. In typical Jarmusch fashion, he wrote the script for 'Broken Flowers' with his casting firmly in mind; only Murray could play this role. The result showcases Murray's brilliance as a less-is-more presence. Jarmusch also gives some of Hollywood's most talented female actresses roles they can relish. A hundred percent Jarmusch, 'Broken Flowers' is a wry, tender, and bittersweet portrait of a man who is drifting aimlessly through life.