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15 of 18 people found the following review helpful:
4.0 out of 5 stars
"Can I have some more please sir?", 27 Jan 2006
There's nothing particularly wrong with Roman Polanski's new Oliver Twist, it looks great and has a lovely musical score, but there's something wrong when at the movie's end all you can talk about are the sets, lighting, costumes, and music. One gets the feeling that the award-winning director, who so moved us with the Pianist a few years ago, just didn't have his heart in it or was unable to connect emotionally to the story. Technically sound and surprisingly faithful to its source material, this Oliver Twist comes across as rather uninspired and flat. Most frustrating is that we hardly need another movie adaptation of Oliver Twist when there are other Dickens books that haven't been given the major movie treatment that would better suit Polanski's talented vision. Which begs the question of why it was even made. I'm not quite sure why this version of Oliver Twist doesn't work, all the attributes are there, it has high production values and inspired character actors. It's all totally acceptable, yet the movie seems to lack passion. Polanski does, however, breath some life into the essential themes of the novel. The juxtaposing forces of human misery and kindness are all there, along with the scathing social comment. Oliver's life is indeed tragic. His story begins at an orphanage, but he is soon kicked out for bad behavior. His next stop is working for a coffin-maker, but mistreatment causes him to run away. After a cruel, seven-day trek to London, he meets Artful Dodger (Harry Eden) and becomes one of the merry band of thieves ruled by the rapacious Fagin (Ben Kingsley). A chance encounter with a wealthy businessman, Mr. Brownlow (Edward Hardwicke), gives Oliver a chance at a better life, but Fagin and his cutthroat associate, Bill Sikes (Jamie Foreman) are unwilling to let him move on. They find a way to pull him back in and use Mr. Brownlow's affection for Oliver to their advantage. Only Nancy, (Leanne Rowe) Bill's wife, shows compassion for poor Oliver. But of course, will the evil Bill out to get her, Nancy's days are most likely numbered. Perhaps the biggest problem with Oliver Twist is Barney Clark as the courteous and innocent Oliver. He looks great, but like the rest of the movie, he is presentable without being compelling. For the story to work, sympathy with Oliver is mandatory, but Clark's acting and Polanski's direction keep the character at arm's length. Only two performances - that of Leanne Rowe as Nancy Sikes and Jamie Foreman as Bill Sikes - have power and force. You really care about Nancy and obviously want Bill to get retribution, but Oliver comes across as strangely negligible. Polanski's interpretation is very much a Masterpiece Theater style adaptation, with higher production values. It looks good and hits all the high points, but it's ultimately cool and unemotional. It doesn’t help that much of the melodramatic elements of the book have been toned down, when they should have been played up! Mike Leonard January 06.
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