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Mozart - Piano Concertos No. 20/23
 
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Mozart - Piano Concertos No. 20/23

~ Jacques Loussier
3.0 out of 5 stars  See all reviews (2 customer reviews)
Price: £11.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Mozart - Piano Concertos No. 20/23 + Beethoven; Theme and Variations + Bach: The Brandenburg Concertos
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Product details

  • Audio CD (24 Oct 2005)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B000B8N4TU
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 100,646 in Music (See Bestsellers in Music)

1. Concerto No. 20 in D Minor, K. 466/Allegro
2. Concerto No. 20 in D Minor, K. 466/Romance
3. Concerto No. 20 in D Minor, K. 466/Rondo Presto
4. Concerto No. 23 in a Major, K. 488/Allegro
5. Concerto No. 23 in a Major, K. 488/Adagio
6. Concerto No. 23 in a Major, K. 488/Allegro Assai

Product Description

Album Description

In his career-long quest to reinterpret classical music by filtering it through his unique jazz sensibility, pianist Jacques Loussier now takes on the work of Mozart's Piano Concertos. Uniquely, this time the Jacques Loussier Trio is accompanied by a String Orchestra.

Mozart's Piano Concerto in D minor, K. 466, has been the bench-mark of all piano concertos, it was one of the very few Mozart compositions to be performed with any frequency during the 19th century, and it made a powerful impression on Beethoven, who composed two superb cadenzas for it. It in no surprise therefore, that Loussier should now make his mark.

Indeed, the basis for the concerto opens with the perfect backdrop for Loussier to work with - syncopations, agitated rhythms, grumbling in the bass to mark the downbeat, and no identifiable theme. The dialogue between piano and accompaniment converse seriously, yet wittily at the same time, each commenting on and attempting to outdo the other in persuasive technique. The Rondo Presto (track 3) immediately launches itself into a samba-type rhythm giving an extraordinarily up-beat feel to this movement.

Piano Concerto No.23 begins with an extended orchestral part followed by a piano solo, as per the original. The only off-set is the counter-beat of the percussion accompaniment. Again there is room for Loussier to explore, as unlike Mozart's other concertos, there is the absence of a solo theme, allowing him to create his own version. The second movement is a beautiful translation of Mozart's impassioned writing, with the string orchestra being used as a light accompaniment. The third movements invites the indivual instruments of the trio to show-off their true colours, as well as giving the string orchestra more of a say.

Personnel:
Jacques Loussier Trio with String Orchestra


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Customer Reviews

2 Reviews
5 star:    (0)
4 star:    (0)
3 star:
 (2)
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Average Customer Review
3.0 out of 5 stars (2 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
3.0 out of 5 stars Lord Kirk, 6 May 2007
By Lord Kirk (England) - See all my reviews
Firstly, if you are not familiar with his work, then this is not the place to start: try the 40th Anniversary Bach Book.

When Jacques moves away from Bach then we sometimes get mixed results. Overall, mixing the strings with the Jazz Trio works well - though the results are not always as stunning as we have come to expect. Hence the three stars.

Having said that, the Adagio is beautiful - this shows the Trio at their best. If you are a big fan then I would recommend this for the Adagio alone; if you are a Jacques Loussier "Bach" fan then I would suggest a peek at Baroque Favorites first.
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3.0 out of 5 stars Mixed success, 5 Oct 2009
By David B "Piano David" (GOUROCK, Renfrewshire United Kingdom) - See all my reviews
  
I agree with Lord Kirk's review. Mess with Moazart at your peril. Chick Corea got away with it very well in Piano Concertos 20 and 23 the attractive "The Mozart Sessions" CD (with Bobby McFerrin). I'm not so sure about Loussier's versions here. There's no disputing Loussier's genius; I'm a fan. But intelligent and interesting though this is, I don't know that it succeeds as well as Loussier's other offerings. That's not to say that this Mozart interpretation isn't interesting to listen to - it is. But it's not the place to start with these works. I think it's for people already well familiar with listening to them. I think, too that the same goes for Loussier himself - this isn't the place to start with him.
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