Reviews
Description
Rachel Keller (Naomi Watts) and her son Aidan (David Dorfman) have relocated to the quaint mountain town of Asheville, where Rachel has found a new job at the local Asheville Gazette, working alongside reporter Max Rourke (Simon Baker). The discovery of a local teenage homicide whilst scanning the electronic Asheville Police archives prompts Rachel to uncover the truth behind it. Before long, Rachel has linked the homicide to the mysterious video tape. Just when Rachel is within reach of uncovering the secret, she discovers that Aidan has been hospitalized - unconcious, perilously cold, and bruised. Rachel suspects this is the act of Samara Morgan, but Dr Emma Temple suspects otherwise. Having being blamed for child abuse and looking guilty as sin, Rachel returns to Seattle, to dig deeper into the past of the ghostly Samara. Will the secrets she uncovers solve problems, or will they end more lives?
Synopsis
In this horror sequel from Japanese master Hideo Nakata, the curse of the videotape returns. Rachel Keller (Naomi Watts) and her son Aiden (David Dorfman) move from Seattle after their first terrible run-in with the tortured evil spirit Samara, relocating to Oregon. Attempting to make a fresh start, Rachel takes a job as a crime reporter at the local newspaper, instantly establishing a pluckily competitive friendship with colleague Max Rourke (Simon Baker). But when it turns out Samara (Kelly Stables) has followed their trail, taking out innocent teens along the way with her old videotape tricks, Rachel dives right back into the mystery. But Samara gets to her son Aiden first. And as a budding photographer in his own right, with a nifty digital camera that he takes everywhere, Aiden quickly finds his own way to harness the relentless ghost. This time, along with the familiar video imagery and spooky clues from the first film, there is a lot of flooding going on. Water pours from television sets, doorways, and especially bathtubs. In addition, there are special effects involving some undead deer who, like Samara, seem to want respite for their wrongful deaths. Sissy Spacek makes a cameo as a religious mental patient in a creepy institution. But it is Watts who steals the show as the fearless uber-mom who digs through the cobwebbed basement of a haunted house, plunges to the bottom of a slimy well, and dances with death in an attempt to stop the perpetual cycle.