Amazon.co.uk Review
One of the first rock bands to sign to Warp Records, Birminghams Broadcast have pretty much come to define the labels shift from techno futurism to a home for blurred-boundary experimentalism of every stripe.
Tender Buttons finds the group stripped down to a core duo of Trish Keenan and James Cargill, it finds the bands formative influences the Dr Who vibes of the BBC Radiophonic Workshop, the mantric repetition of Krautrock, and the blissful impulse of American psychedelia presented in bare, unfussy arrangements that lack the murky ambience and meticulous layering of their earlier work.
Luckily, its an impulse that suits Broadcasts new emphasis on lyrics: see the excellent "Michael, where Keenan serenades the songs subject with a stream of cute phrases and bizarre non-sequiters ("Cmon, your father was a teddy-boy/ Theres nothing written on your finger-nails"), or "Black Cat" references to Masons and Pharaohs, not to mention lines cribbed from Alice In Wonderland, cooed over sparking synth-lines. The emotional content is never clear or straight-talking, but its this sense of warm, fuzzy logic thats possibly Broadcasts greatest strength Louis Pattison
CD Description
Third album from Birmingham's retro-futurist electronic popheroes follows 2003's 'Haha Sound'. Whilst retaining the trademark sonic influences of their earlier work - 60s librarymusic, Krautrock and psychedelia - it has a more song basedapproach than previous releases, using sparse, minimalist arrangements as a framework for abstract lyrics created through automatic writing. Includes the single 'America's Boy'.