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10 of 11 people found the following review helpful:
5.0 out of 5 stars
Fall classic album 2005 alert...., 23 Mar 2006
While I'm of the persuasion that every Fall album is decent - 'Room to Live', 'Cerebral Caustic' & 'Are You Are Missing Winner?' have several moments - there are certain titles that stand out and join the classic Fall album set: 'Live at the Witch Trials', 'Grotesque (after the gramme)', 'Hex Enduction Hour', 'This Nation's Saving Grace', 'Bend Sinister', 'Extricate','Shiftwork', 'The Infotainment Scan', 'The Marshall Suite' & 'The Unutterable.' The obligatory line-up changes have occurred since the last classic double whammy of 'Marshall' & 'Unutterable' - as the last two Peel Sessions show, the most recent line up(s) have found a new Fall on rare form. Anyone who has seen them live recently - I had the pleasure in Stratford Upon Avon last week - will know this is another great version of The Fall. 2003's 'The Real New Fall LP - Formerly 'Country on the Click' was the first classic move, an album almost as good as this and one to add to the Fall classics list. The line-up almost survives here - Ben Pritchard (guitar/backing vocals), Eleni Poulou (synthesiser/vocals) and the ever present Mark E. Smith traded in David Milner abd Jim Watts for Spencer Birtwistle & Steve Trafford. Amazingly the progress from 2003 onwards has continued and 'Fall Heads Roll' shows the new Fall are as great as the old Fall. As much as I love the reissues of the albums I love, 'Fall Heads Roll' shows the contemporary version is the most important. I can't think of a Fall album I'd like to listen to more NOW...These songs have been around a few years - live, the final Peel Session from 2004 and on the 'Interim' mini-LP - the latter perhaps working in a similar manner to something short and sweet like 'Slates.' It's all great, all a highlight - I even like 'Early Days of Channel Fuhrer' and the closing 'Trust in Me' (sung by Trafford?) Opener 'Ride Away' is fantastic, not sure why someone said it was awful - it clearly belongs to the 'Kimble'-side of the Fall! 'Pacifying Joint' is where the album kicks into life, Korg-drones against some of that angular garage-punk - it's like Elastica never happened. Lots of these songs are based around that tight garage rock sound, the excellent production exploiting the joys of these songs. 'Assume', 'Youwanner', 'Bo Demmick', the cover of The Move's 'I Can Hear the Grass Grow' and 'Clasp Hands' all fitting the bill and wiping the floor with such pretenders as The Storks, White Stripe & The Yeah Yeah Liars. ...& then there are the songs that join the ranks of the finest Fall-tracks - 'Midnight in Aspen' (reprised like 'Winter'), the epic kraut-garage of live favourite 'Blindness', and the tale of a rabbit from East Germany and Harold Shipman, 'What About Us?' - which has better keyboards and a slightly tighter arrangement than the prior Peel version (the 'Hop!Hop!Hop!' mantra coming in just at the end now). 'Fall Heads Roll' is a fantastic album and was a key highlight of 2005. The band are reportedly back in the studio again with Grant Showbiz ('Dragnet', 'Shiftwork', 'Country on the Click', Billy Bragg, Wilco)- a band in their prime after all these decades. Who'd believe?
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