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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Superb Shorter Orchestral Pieces by Nielsen, 3 Sep 2005
We are used to thinking of Carl Nielsen as one of the great symphonists of the twentieth century and there are multiple sets of recordings of them. But he also wrote a fair amount of orchestral music not in symphonic form, and many of those jewels are included in this wonderful issue from Niklás Willén leading the South Jutland Symphony Orchestra, a very fine regional Danish orchestra. Included here are the Aladdin Suite, Cupid and the Poet, Saga-Dream, the Helios Overture, the Overture and Act II Prelude to his opera 'Maskarade,' and Pan and Syrinx. All are given really quite good performances. Clearly this orchestra and its Swedish chief conductor have this music in their bones. My own favorite of these is the evocative 'Helios Overture' that Nielsen wrote after he and his wife took a trip to Greece; it portrays the sun rising and setting over the Aegean Sea, and unlike some tone-poems, it actually conjures up in sound those phenomena. I'm particularly fond of the contrapuntal section that always makes me think, 'Aha, a fugue of sunbeams.' The jolly 'Maskarade' Overture is another favorite of mine, but perhaps best of all is the contemplative 'Saga-Dream' ('Saga-drom'), Op. 39, that has some of Nielsen's most beautiful melodies, including some really quite Brucknerian writing for the horns. 'Pan and Syrinx', Op. 49, is thought by some to be Nielsen's finest short tone poem but it doesn't quite measure up, in my books, to that assessment. Still, it contains reminders of Nielsen's unique approach to orchestral timbre, and it includes one of Nielsen's characteristic raucous outbursts from the percussion section (similar to that in his Clarinet Concerto). Most intriguing of all, though, is the 'Aladdin Suite.' Written in 1919 as incidental music for a play by Adam Oehlenschläger, it has all the gestures that later came, via movie music, to be associated with music from the mysterious Middle East, including the most amazing section, called 'The Marketplace at Ispahan,' that out-Iveses Charles Ives in its overlay of four distinct musics in different keys and meters; it quite effectively calls to mind the multifarious activities of a busy marketplace. It really must be heard to be appreciated. Willén and his orchestra manage to keep all four planes of sound quite distinct and yet they meld into a glorious whole. Considering that this is a budget issue, and that is contains masterful performances of some of Nielsen's finest music, this CD is a must-buy. TT=67:56 Scott Morrison
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