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| 1. Mama’s And The Papas - |
| 2. David Bowie |
| 3. Bob Dylan |
| 4. Small Faces |
| 5. The Las |
| 6. Supergrass |
| 7. New York Dolls - |
| 8. Clash |
| 9. Jam |
| 10. Stranglers |
| 11. Specials |
| 12. The Smiths |
| 13. Mouldy Peaches - |
| 14. Pulp |
| 15. Streets |
A trawl through the annals of classic rock, punk, and new-wave, this is a selection that strongly belies Barats fondness for musics dreamers, idealists, and romantics. Kicking off with a handful of picks from the hazy mid-60s Bowie, Dylan, the Small Faces the pace picks up pace with definitive cuts from The Jam, The Stranglers, and The Specials AKA (and, arguably, The Smiths, whose "Bigmouth Strikes Again" still sounds exceptional today).
Hardcore Libertines fans may read significance into some of the picks: is, for instance, the inclusion of New York Dolls "Personality Crisis" which features the line "Your turned into the Wolfman/Howling at the moon" a conscious reference to Dohertys shady underworld friend and sometime recording partner, or just mere coincidence? Meanwhile, chaotic New York anti-folk duo Moldy Peaches "Whos Got The Crack?" poses the sort of question that, given recent form, is probably best put rhetorically. --Louis Pattison
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