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13 of 13 people found the following review helpful:
5.0 out of 5 stars
The Man and the Music, 17 Aug 2005
The fabulous music, and a performance by Jamie Foxx that captures the essence of the complex character that was Ray Charles, overrides the flaws that may be found in this film. Ray's roots were in the abject poverty of his youth in Greenville, Florida, where he witnesses the drowning of his younger brother, and shortly afterward starts to go blind at the age of 5. Many of the events from his childhood are told in flashbacks, and there is a magical scene where he learns to use his ears to replace his eyes, as his mother watches in silence. His life on the road, his many women, and his battle with heroin addiction are depicted, but it's the music that drove his life. Ray was a musical genius who also had an astute instinct for business, and for what songs to add to his repertoire, which often broke new ground and went against the advice of the record industry experts.Every bit of praise and every award (including the Best Actor Oscar) for Jamie Foxx is justified. Though the soundtrack uses the original recordings dating as far back as the 1953 "Mess Around," Foxx is obviously an accomplished pianist; the actor and his role are like a marriage made in heaven, and this film biography will surely become a classic. The others in the cast that surround him are excellent, with Sharon Warren as his mother, Regina King as Margie Hendricks, and Curtis Armstrong as Ahmet Ertegun among the standouts. Director Taylor Hackwood blends the flashbacks and nightmares from the past into the thread of the story in a cohesive manner, and one is never lost in the sequences, as can easily happen with that style of storytelling. The flaws in the film would be mainly in some of the stereotypical characterizations, but they fade into the background quickly as the power of Ray the genius and Jamie the actor rivet out attention to the screen. "Ray" also received an Oscar for Best Sound, and nominations for Best Picture, Director, Editing, and Costume Design. The songs include: "Mess Around," "I Got a Woman," "Night Time is the Right Time," "What'd I Say," "Georgia on My Mind," "Hit the Road, Jack," "Unchain My Heart," "I Can't Stop Loving You," "Born to Lose," and much more. Total running time is 153 minutes.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Oscar winning lip-synching, 30 Dec 2005
I've never been much of a Ray Charles fan (which makes me nekulturny, I guess), but I do know an Oscar-winning performance when I see one.Jamie Foxx is Ray Charles Robinson, the truly great American musician and composer, and RAY depicts his professional career and personal trials from 1948, when he left Florida at age 18 on a bus for Seattle, to the late 60s when he kicked a heroin habit. The film is interspersed with numerous flashbacks to his boyhood in Georgia, where, at age 5, he was psychologically scarred by the tragic drowning of his younger brother in a washtub, and where, by age 7, glaucoma rendered him completely blind. I would've been even more impressed with Foxx's role had he been the one singing the Ray Charles songs sprinkled throughout the film, much as Sissy Spacek sang Loretta Lynn's hits in the memorable COAL MINER'S DAUGHTER (1980). However, Jamie's lip-synch was seamless, and he certainly had Ray's mannerisms down. The viewer can be excused for forgetting that it wasn't actually Charles up there on the Big Screen, and Foxx deserved the Best Actor Oscar award he received. There were at least two performances worthy of an Academy nod for Best Supporting Actress: Regina King as Margie Hendricks, Ray's on-the-road mistress that inspired the passion which fueled many of his musical compositions, and Sharron Warren as Aretha Robinson, Ray's mother. I wish we could have seen more of the latter. Aretha had fire. In any story of someone transcending poverty to attain fame, usually an entertainer or athlete, there's usually the two-hanky bit where the star returns home to buy Mom a new house or some such. There's no indication in the film that Ray visited Aretha after he left Florida. This may be a puzzle unless the viewer is aware that Aretha died when Ray was 15, something RAY fails to note. Also, the film's conclusion infers that Charles lived happily ever after with his long-suffering wife, Della Bea (Kerry Washington). In fact, Ray and Della divorced in 1977. And my only other niggling objection was the genesis of the song "Hit the Road, Jack". As portrayed, it brought forth laughter from the audience; I think it was intended by the scriptwriters and director to be a powerfully dramatic sequence. RAY was arguably 2004's Best Picture. It's certainly a must-see for any consumer of contemporary cinema, and an absolutely obligatory-see for any fan of Ray Charles.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Oustanding movie - instant classic, 16 Mar 2006
It took me a long time to finally get round to watching 'Ray'. The wait was well worth it - this is a terrific biopic - but not just a biopic, this is an outstanding movie on any terms. Whether a fan or not (I wasn't) most everyone will be aware at some level of Ray Charles' music. He's made that big an impact. This movie endeavours to show two periods of his life. The principal part of the movie follows his rise to fame, and corresponding fall into drug use and infidelity, climaxing in his redemption, kicking the habit, and recommitting his lfe as a husband and an entertainer. The second strand is told in flashback, showing Ray as a boy, before and during the process of him becoming blind - explaining (perhaps a little too neatly for some peoples taste) his need to escape into drugs, and how he managed to overcome the constraints of blindness with the help of his mothers tough guidance. His mother is clearly the key character in his life, teaching him firmly but with love how to enhance his sense of hearing and touch in order to compensate for his blindness. His mothers words echo frequently through the movuie when she says, 'Always remember your promise to me. Never let nobody or nothing turn you into no cripple.'. These two tales interweave almost seamlessly, showing not just the facts but the effects on the older man of the younger mans history. As an adult, the cinematography might be beautiful and the tones warm and rich, but Ray the man is shown warts and all - this is a man who used people shamelessly, not least the women in his life, and the movie does not shirk from showing him in those terms. This has the effect of really drawing you in. Instead of a whitewashed version of his life, you feel you are scratching the surface of a person just a little here, and it makes for fascinating viewing because it rings true. Taylor Hackford the director has done an incredible job of creating striking visuals, from the dusty ochre coloured streets of his youth, through to smoky bars, and on to the over the top glitz of LA and swanky nightclubs - all the period settings ring true and are shot to perfection. You can tell this was a labour of love - in fact, Hackford bought the rights to the story back in 1987, but could not find a studio release - it was only after independent financing that Universal studio stepped in to facilitate its release. It must be a matter of some satisfaction to him that Ray Charles was able to see the first edit of the movie before he died, before the movie was actually released. Then there is the acting - much has been said of Jamie Foxx's acting here, and it's all true- he embodies the part in a way which is uncanny - his efforts, going to Braille school, wearing prosthetics which made him blind during shooting, studying Ray Charles himself, have really paid off. However this is a performance made up of more than gimmics and prosthetics, this is the performance of a lifetime, giving the character real depth and depth of reality. Then there is the supporting cast - i cant even name them, because every role in the movie rings ttrue, a credit to the casting and to the actors. All in all, sure there are bound to be more truths to be told about his life, but this will certainly be the best biopic made of his life, and comes at a most fitting time. terrific cast, script, cinematography and direction - a real winner. post script - almost left no room to mention - the 2 disc version comes laden with extras on both the movie and ray - with delted scenes and extended musical scenes. Worth watching, when you think that Jamie Foxx did all the piano playing himself!
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