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Bach: Cantatas, Vol 24 /Gardiner
 
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Bach: Cantatas, Vol 24 /Gardiner

~ Julian Clarkson (Bass), Stephen Varcoe (Bass), Johann Sebastian Bach (Composer), John Eliot Gardiner (Conductor), English Baroque Soloists (Ensemble), et al.
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Bach: Cantatas, Vol 24 /Gardiner + Bach: Cantatas, Vol 8 /Gardiner + Bach J.S: Cantatas Vol 10
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Product details

  • Conductor: John Eliot Gardiner
  • Composer: Johann Sebastian Bach
  • Audio CD (2 May 2005)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Label: SDG
  • ASIN: B00095L91U
  • Other Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 90,548 in Music (See Bestsellers in Music)

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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.


Disc 1:

Samples
Song Title Time Price
Listen  1. Weinen, Klagen, Sorgen, Zagen BWV 12 - I. Sinfonia (Bach) 2:21£0.79
Listen  2. Weinen, Klagen, Sorgen, Zagen BWV 12 - II. Coro: "Weinen, Klagen, Sorgen, Zagen" (Bach) 7:49£0.79
Listen  3. Weinen, Klagen, Sorgen, Zagen BWV 12 - III. Recitativo: (Alto) "Wir müssen curch viel Trübsal" (Bach)0:47£0.79
Listen  4. Weinen, Klagen, Sorgen, Zagen BWV 12 - IV. Aria: (Alto) "Kreuz und Krone sind verbunden" (Bach) 5:39£0.79
Listen  5. Weinen, Klagen, Sorgen, Zagen BWV 12 - V. Aria: (Bass) "Ich folge Christo nach" (Bach) 1:45£0.79
Listen  6. Weinen, Klagen, Sorgen, Zagen BWV 12 - VI. Aria con Choral: (Tenor) "Sei getreu, alle Pein" (Bach) 3:37£0.79
Listen  7. Weinen, Klagen, Sorgen, Zagen BWV 12 - VII. Choral: "Was Gott tut, das ist wohlgetan" (Bach) 1:05£0.79
Listen  8. Ihr werdet weinen und heulen BWV 103 - I. Coro e Arioso: (Bass) "Ihr werdet weinen und heulen" (Bach) 5:11£0.79
Listen  9. Ihr werdet weinen und heulen BWV 103 - II. Recitativo: (Tenor) "Wer sollte nicht in Klagen untergehn" (Bach)0:33£0.79
Listen10. Ihr werdet weinen und heulen BWV 103 - III. Aria: (Alto) "Kein Arzt ist außer dir zu finden" (Bach) 4:36£0.79
Listen11. Ihr werdet weinen und heulen BWV 103 - IV. Recitativo: (Alto) "Du wirst mich nach der Angst" (Bach)0:34£0.79
Listen12. Ihr werdet weinen und heulen BWV 103 - V. Aria: (Tenor) "Erholet euch, betrübte Sinnen" (Bach) 2:48£0.79
Listen13. Ihr werdet weinen und heulen BWV 103 - VI. Choral: "Ich hab dich einen Augenblick" (Bach) 1:12£0.79
Listen14. Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 - I. Sinfonia 7:29£0.79
Listen15. Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 - II. Coro: "Wir müssen durch viel Trübsal" (Bach) 7:43£0.79
Listen16. Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 - III. Aria: (Alto) "Ich will nach dem Himmel zu" (Bach) 8:59£0.79
Listen17. Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 - IV. Recitativo: (Soprano) "Ach! wer doch schon im Himmel wär!" (Bach) 1:31£0.79
Listen18. Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 - V. Aria: (Soprano) "Ich säe meine Zähren" (Bach) 5:10£0.79
Listen19. Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 - VI. Recitativo: (Tenor) "Ich bin bereit" (Bach) 1:10£0.79
Listen20. Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 - VII. Aria: (Tenor, Bass) "Wie will ich mich freuen" (Bach) 5:24£0.79
Listen21. Wir Müssen Durch Viel Trübsal In Das Reich Gottes Eingehen Bwv 146 - VIII. Choral: "Denn Wer Selig Dahin Fähret" (Bach) 1:03£0.79


Disc 2:

Samples
Song Title Time Price
Listen  1. Wo gehest du hin? BWV 166 - I. Arioso: (Bass) "Wo Gehest Du Hin?" (Bach) 1:56£0.79
Listen  2. Wo gehest du hin? BWV 166 - II. Aria: (Tenor) "Ich Will An Den Himmel Denken" (Bach) 7:35£0.79
Listen  3. Wo gehest du hin? BWV 166 - III. Choral: (Soprano) "Ich Bitte Dich, Herr Jesu Christ" (Bach) 2:38£0.79
Listen  4. Wo gehest du hin? BWV 166 - IV. Recitativo: (Bass) "Gleichwie Die Regenwasser Bald Verfließen" (Bach)0:46£0.79
Listen  5. Wo gehest du hin? BWV 166 - V. Aria: (Alto) "Man Nehme Sich In Acht" (Bach) 2:56£0.79
Listen  6. Wo gehest du hin? BWV 166 - VI. Choral: "Web Weiß, Wie Nahe Mir Mein Ende!" (Bach) 1:23£0.79
Listen  7. Es ist euch gut, dass ich hingehe BWV 108 - I. Aria: (Bass) "Es ist euch gut, dass ich hingehe" (Bach) 3:44£0.79
Listen  8. Es ist euch gut, dass ich hingehe BWV 108 - II. Aria: (Tenor) "Mich kann kein Zeifel stören" (Bach) 3:05£0.79
Listen  9. Es ist euch gut, dass ich hingehe BWV 108 - III. Recitativo: (Tenor) "Dein Geist wird mich also regieren" (Bach)0:32£0.79
Listen10. Es ist euch gut, dass ich hingehe BWV 108 - IV. Coro: "Wenn aber jener, der Geist der Wahrheit" (Bach) 2:07£0.79
Listen11. Es ist euch gut, dass ich hingehe BWV 108 - V. Aria: (Alto) "Was mein Hervz von dir begehrt" (Bach) 3:23£0.79
Listen12. Es ist euch gut, dass ich hingehe BWV 108 - VI. Choral: "Dein Geist, den Gott vom Himmel gibt" (Bach) 1:04£0.79
Listen13. Sei Lob und Ehr dem höchsten Gut BWV 117 - I. Coro: "Sei Lob und Ehr dem höchsten Gut" (Bach) 3:24£0.79
Listen14. Sei Lob und Ehr dem höchsten Gut BWV 117 - II. Recitativo: (Bass) "Es danken dir die Himmselsheer" (Bach)0:56£0.79
Listen15. Sei Lob und Ehr dem höchsten Gut BWV 117 - III. Aria: (Tenor) "Was unser Gott geschaffen hat" (Bach) 2:32£0.79
Listen16. Sei Lob und Ehr dem höchsten Gut BWV 117 - IV. Choral: "Ich rief dem Herrn in meiner Not" (Bach)0:54£0.79
Listen17. Sei Lob und Ehr dem höchsten Gut BWV 117 - V. Recitativo: (Alto) "Der Herr ist noch und nimmer nicht" (Bach) 1:20£0.79
Listen18. Sei Lob und Ehr dem höchsten Gut BWV 117 - VI. Aria: (Bass) "Wenn Trost und Hülf ermangeln muss" (Bach) 4:12£0.79
Listen19. Sei Lob und Ehr dem höchsten Gut BWV 117 - VII. Aria: (Alto) "Ich will dich all mein Leben lang" (Bach) 2:47£0.79
Listen20. Sei Lob Und Ehr Dem Höchsten Gut Bwv 117 - VIII. Recitativo: (Tenor) "Ihr, Die Ihr Christi Namen Nennt" (Bach)0:42£0.79
Listen21. Sei Lob und Ehr dem höchsten Gut BWV 117 - IX. Coro: "So kommet vor sein Angesicht" (Bach) 3:26£0.79

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3 of 3 people found the following review helpful:
5.0 out of 5 stars DAS IST WOHLGETAN, 6 Aug 2009
By DAVID BRYSON (Glossop Derbyshire England) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)      
What God has done is done well. What Bach has done in the name of God's greater honour and glory is not badly done either, and what John Eliot Gardiner's `pilgrimage' series of the Bach cantatas is continuing to do is to bring our musical culture abreast of this parade of musical sublimity. As a rule I am not myself one for complete sets. We can hardly move for complete sets of the Beethoven sonatas although I am innocent of them, but the Bach cantatas, an even greater achievement in my own opinion, are only gradually becoming familiar to the musical public, and that is why I am systematically collecting the series.

Each issue in this great programme is accompanied by a long and deep essay by Gardiner himself, together with a shorter contribution by one of the other participants. In many cases Gardiner's colleagues tell us how they - professional musicians conversant with the early 18th century - were literally learning the music as they went along. Each issue has to be assessed separately of course, but this pilgrimage has an atmosphere about it, not easy to describe but not difficult to grasp. Consistency of style can be taken for granted obviously, but the atmosphere that I am talking about is one of palpable commitment and even devotion to what they are about. What the musicians were learning they were learning eagerly, and I for one am just as eager to learn it from them. Welcome to any newcomers to the pilgrimage, for whose benefit let me summarise briefly what its veterans already know. The year 2000 saw the 250th anniversary of Bach's death, and throughout the year Gardiner and his travelling players and singers performed all the extant cantatas of Bach, on the liturgical dates for which they were written, at a variety of locations on both sides of the Atlantic. What we have here are the works for the 3rd and 4th Sundays after Easter. The texts for the former lay stress on the need to persevere through a vale of tears in order to attain ultimate salvation, in the latter case the tone becomes more upbeat although there is a strain of anxiety in the injunctions to keep to the true path before the last cantata resolves the doubts in a more festive song of praise. There is great sadness and awe in the first chorus of all, a well-known masterpiece, but for me the predominant tone of Bach's religious music is one of serene and untroubled faith.

As frequently, I have no real reservations about this release. All the singing, choral as well as solo, is admirable both for sense of style and for technical accomplishment, although you are not going to find a soprano solo in the chorale Ich bitte dich in BWV 166. The playing on period instruments is exemplary too, and this time we have a special bonus in that quarter. There is a magnificent organ voluntary on a particularly magnificent organ (one known to Bach himself) at the start of BWV 146, and the note writer here is Silas John Standage who had the honour and thrill of playing it. You will likely know the music better in its other surviving incarnation as the keyboard concerto in D minor.

Also as nearly always, the recording is beautifully and sensitively calibrated (to use a word currently in vogue) to the scale and idiom of the music. Bach inscribed his MSS `SDG', which is Soli Deo Gloria, or `Honour to God Alone.' I hope there is no impiety in suggesting that Bach deserves some credit too: he was born with the genius, but he did an unholy amount of hard work to perfect it. Among the performing artists the only omission from my list is the director himself, doubtless as modest as was the composer, so let me submit my own tribute to what he has achieved here. One of the best among the offerings released so far.
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