Amazon.co.uk Review
A rare solo outing from
Ry Cooder, but dont expect the conventional twelve unrelated songs schtick that constitutes an album these days. For "Chavez Ravine" is a concept album about the eponymous area near Los Angeles that was torn down in the 1950s by developers to make way for the Dodgers Stadium. The attraction of this neighbourhood for Cooder is obviously its largely Hispanic population, which is explicitly echoed in the music that tells the story.
Linking his past solo work with his famed Buena Vista Social Club projects, Cooder delivers his story amidst lazy Cuban percussion, rolling piano, mariachi horns and of course, his understated guitar playing. Of course there are still surprises; the schizophrenia of "Dont Call Me Red"; half ballad, half frenetic percussion and television narration being the biggest and best. With a large cast of vocal talents, including the legendary Little Willie G of The Midniters, and Cooders own contributions (which end up sounding not unlike Steely Dan fronted by John Sebastian), the album as a whole is extremely effective and succeeds in every department, evoking the kind of atmosphere aimed for. --Thom Allott
CD Description
After spending time producing various members of the Buena Vista Social Club, Ry Cooder has returned to the United States with 'Chavez Ravine'. Essentially a concept album, Cooderhas taken inspiration from a rundown Mexican part of Los Angeles that was bulldozed in the early 1950's and replaced with the LA Dodgers' baseball stadium. The album sees Cooder resurrect street songs from the era, as well as writing his own compositions with help from singing talent that lived in the 'Chavez Ravine' area.