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10 of 11 people found the following review helpful:
4.0 out of 5 stars
Completeist collection - Mind the B-sides, 14 Jul 2005
Although they were hardly at the cutting edge of pop Peter Noone and Herman's Hermits managed to plough a highly successful furrow with no less than 16 UK chart hits between 1965 and 1971, and even more in the USA where they were second only to The Beatles in terms of singles sales over that period. While not exactly bubblegum their songs were on the soft and sugary side, and from a variety of sources - Carole King and Gerry Goffin wrote their first hit (and only UK No 1) "I'm Into Something Good", Graham Gouldman supplied "No Milk Today" well before his 10CC days, and the British hit factory that was Geoff Stephens and Les Reed penned "There's A Kind Of Hush", subsequently covered by the Carpenters. Whatever else they were, they were hugely catchy and sing-along. The Americans went overboard for them, and particularly liked the jokey, British music-hall stuff such as "I'm 'Enerey The Eighth, I Am" and "Mrs Brown You've Got A Lovely Daughter", both No 1 hits there but largely ignored over here (in fact they weren't released as singles here - producer Mickie Most thought they were "too British"!). This collection gives us, in chronological order, all 22 British A-sides and all the Bs as well except that for "Oh You Pretty Thing". The B-sides all fall into the Unremarkable category, with the exception of "Can't You Hear My Heartbeat", which was a hit in the US in its own right; some of them, written by the Hermits, do, however, suggest that they may have been closet rockers at heart. Then follow the singles released only in the States, and finally five bonus tracks, including rather tame versions of famous Buddy Holly, Yardbirds and Hollies hits. Nearly all the tracks have been digitally remastered - this helps with consistency of sound volume level if nothing else; surprisingly, only three of the tracks are in stereo. As a complete record of the single releases of one of Britain's most successful pop groups of the 1960s, this album will not be bettered. The relatively weak B-sides mean that there's a lot of filler here, though, and I suspect that, when it comes to be played, most people will make much use of the shuffle/skip/program facility on their players.
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