Amazon.co.uk Review
Already feted on the indie scene, and held in as high regard on Glasgows indie I-Spy game as spotting members of Belle & Sebastian and Franz Ferdinand,
Sons & Daughters are finally slipping in to the mainstream, courtesy of this, their debut long-player
The Repulsion Box.
Taking a little of Franzs new-wave sound, but adding their own twist, the angular, energetic guitars and martial beats are given a Gothic, twilit make-over, never exploding like you wish they would, rather remaining taut and aggressive bundles of frustrated energy and inexplicably folky guitars. Over the top of these is the stunningly enticing vocals of Adele Bethel, simply the indefinable ingredient that pushes the band into another stratosphere. Her voice - part coquettish vixen, part petulant teenager, rich with its Scottish lilt - is the bands most striking artefact; instantly blending with its backing, but equally standing out. The interplay with backing singer Scott Paterson simply adds another dimension, equally welcome.
The songs themselves range from the Smiths-y "Taste The Last Girl" to "Medicine" to the insanely catchy single "Dance Me In", all of which has enough angst and sing-along choruses in equal measures to appeal to both the average indie fan and their emo-loving sibling. --Thom Allott
CD Description
Debut full-length from Scots folk-punk quartet follows their 2004 mini-album 'Love The Cup'. Whilst that release had a ramshackle, shambolic quality, on this album they sound muchtighter and more professional, and have added a tougher, electric edge to their songwriting. The bulk of the album was produced by Victor Van Vugt (Nick Cave, Beth Orton, PJ Harvey), and the single 'Dance Me In' by former Orange Juice mainman Edwyn Collins.