Amazon.com
Anyone familiar with writer/director James L. Brooks (
Broadcast News,
As Good As It Gets) knows the man has a real feel for interesting women and a disarming way with a one-liner. The main women in
Spanglish are Deborah Clasky (Téa Leoni), a moneyed SoCal mom, and non-English speaking Flor Moreno (Paz Vega), the beautiful Latina whom Deborah hires as a housekeeper. The one-liners, some of them amusing, are everywhere. Brooks provides an intriguing set-up for the two women to butt heads--Deborah's pudgy daughter Bernice (Sarah Steele) needs the affection at which Flor excels, while Flor's clever, bi-lingual daughter Cristina (Shelbie Bruce) is enamoured of the financial advantages Deborah can provide--then proceeds to make Deborah so hatefully ignorant you can't imagine why her neuroses are the main thrust of the film. And Deborah's celebrated chef husband John (Adam Sandler, way over his head) is such a perfect parent he doesn't seem human--what happened to the Brooks who had
Terms of Endearment mom Debra Winger turn to her scowling little boy and grunt "Don't make me hit you in the street"? Cloris Leachman has a nifty supporting role as Deborah's boozy, ex-jazz singer mother, but it's only one offbeat chord in an earnest film that hits all the wrong notes.
--Steve Wiecking, Amazon.com
Synopsis
With SPANGLISH, writer/director/producer James L. Brooks (AS GOOD AS IT GETS) unfurls yet another accomplished, tender, romantic comedy. Celebrated chef John Clasky (Adam Sandler) is the patriarch of the Clasky household, but the mood swings of his hypersensitive wife, Deborah (Tea Leoni), are what really runs the show. When the Claskys hire the beautiful Flor (Paz Vega) to be their maid, their already rocky relationship faces some even bigger boulders. Spanish-speaking Flor is a sincere, loving single mother whose daughter, Christina (Shelbie Bruce), receives lavish displays of affection from Deborah. Meanwhile, Deborah neglects her own son and daughter in much the same way that her self-absorbed, alcoholic mother, Evelyn (Cloris Leachman), neglected her. Eventually Deborah crosses a line when she betrays her husband with the real estate broker who is helping her search for a beach house. Faced with this challenge, John and Flor, who share a clear attraction to one another, get the chance to explore their feelings. Brooks populates his film with wholly believable characters. On first glance they may seem like broad caricatures (especially in the case of the roles played by Leoni and Leachman), but the characters subvert viewers' expectations by turning into full-fledged, three-dimensional humans by the end of the film. As in PUNCH-DRUNK LOVE, Sandler delivers a performance that shows his wide range of talent.