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Product Description
Amazon.co.uk Review
A wild card songwriter with a familial pedigree and an ever-expanding cult retinue, the raffish but assiduous Rufus Wainwright--outré, gay and sage--is not one to shy away from invigorating his songs with a lurid theatrical honesty. Want Two perhaps reflects Wainwright's revised priorities since stepping back from the recreational medication precipice. Opening number "Agnus Die"--a medieval Catholic liturgy given an eastern flavour and performed with Hungarian instruments--seeks spiritual laundering and clemency but this virtue is offset by the implied vice and self-loathing of grand finale "Old Whore's Diet", a brilliantly irrational sprawl of skewed genius taking in Latin-American grooves and a doomy operatic Radiohead-esque requiem. Between these polar extremes lies Wainwright's eye for improbable observational finesse. Few others could express the first lovestruck flush of teenage infatuation with such deliberate inarticulacy ("Art Teacher") or envisage the coming of a "Gay Messiah" dripping in testicular fluid. He's evidently an attention-craving naughty boy with a love of Serge Gainsbourg, Elvis Costello and harpsichords but on Want Two Rufus Wainwright makes sex, drugs, politics--and yes, belated redemption--sound positively velvety. --Kevin Maidment
Album Review
Picking up where Want One left off, Rufus Wainwright's Want Two is a deeply introspective, sometimes kinky and often personally critical set of mini-operettas that ruminate on his various relationships, drug abuse, and image in the media. Metaphorically liturgical and often classical in sound, Want Two touches on such inner-related themes as love, loneliness, sin and sacrifice. It's more focused than Want One and as such packs more of wallop both musically and emotionally. Musically, Wainwright has never seemed more in command of his muse. References to Nilsson, Brian Wilson and Randy Newman are a matter of course, but Wainwright's growth as a pop craftsman with his own unique lyrical voice--both conceptually and literally--makes such comparisons unnecessary. To these ends, lush string orchestras, cheery choirs and piping horn sections decorate the impeccably scored album and perfectly complement Wainwright's swooning vocals. Taken as a whole, Want One and Want Two work well together as a sprawling and ambitious double album that is camp, serious and utterly compelling. --Matt Collar, All Music Guide
See all Product Description
A wild card songwriter with a familial pedigree and an ever-expanding cult retinue, the raffish but assiduous Rufus Wainwright--outré, gay and sage--is not one to shy away from invigorating his songs with a lurid theatrical honesty. Want Two perhaps reflects Wainwright's revised priorities since stepping back from the recreational medication precipice. Opening number "Agnus Die"--a medieval Catholic liturgy given an eastern flavour and performed with Hungarian instruments--seeks spiritual laundering and clemency but this virtue is offset by the implied vice and self-loathing of grand finale "Old Whore's Diet", a brilliantly irrational sprawl of skewed genius taking in Latin-American grooves and a doomy operatic Radiohead-esque requiem. Between these polar extremes lies Wainwright's eye for improbable observational finesse. Few others could express the first lovestruck flush of teenage infatuation with such deliberate inarticulacy ("Art Teacher") or envisage the coming of a "Gay Messiah" dripping in testicular fluid. He's evidently an attention-craving naughty boy with a love of Serge Gainsbourg, Elvis Costello and harpsichords but on Want Two Rufus Wainwright makes sex, drugs, politics--and yes, belated redemption--sound positively velvety. --Kevin Maidment
Album Review
Picking up where Want One left off, Rufus Wainwright's Want Two is a deeply introspective, sometimes kinky and often personally critical set of mini-operettas that ruminate on his various relationships, drug abuse, and image in the media. Metaphorically liturgical and often classical in sound, Want Two touches on such inner-related themes as love, loneliness, sin and sacrifice. It's more focused than Want One and as such packs more of wallop both musically and emotionally. Musically, Wainwright has never seemed more in command of his muse. References to Nilsson, Brian Wilson and Randy Newman are a matter of course, but Wainwright's growth as a pop craftsman with his own unique lyrical voice--both conceptually and literally--makes such comparisons unnecessary. To these ends, lush string orchestras, cheery choirs and piping horn sections decorate the impeccably scored album and perfectly complement Wainwright's swooning vocals. Taken as a whole, Want One and Want Two work well together as a sprawling and ambitious double album that is camp, serious and utterly compelling. --Matt Collar, All Music Guide
See all Product Description
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