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21 of 24 people found the following review helpful:
5.0 out of 5 stars
GORGEOUS BENING MAKES BEING JULIA SEEM TO BE SO MUCH FUN, 21 Feb 2005
Istvan Szabo's "Being Julia," is based on Sommerset Maugham's wickedly funny 1937 novel "Theatre" as adapted by Ronald Harwood who had also done "The Pianist." The story is a funny, sexy, worldly-wise presentation of London's 1938 art deco-era theater scene.Similar to Szabo's "Mephisto" (1981), "Being Julia" is in love with actors and their profession. To this film's considerable advantage, the cast is absolutely first-rate. As the movie opens, Julia Lambert (played to the hilt by a stunnningly beautiful Annette Bening), is a legendary stage actress with the heart of a carefree girl and a spring steel spine. She's the toast of the West End theater world and still playing 29-year-old femmes fatale. She is enjoying her latest triumph and is about to have lunch with her hared boiled manager and husband, the exceedingly vain ex-actor Michael Gosselyn (Jeremy Irons). Incidentally, "Being Julia" is only Annette Bening's 17th film. Indeed, she's only been on the acting scene since 1990. Bening has the grace and magnetism of a legend, a genuine sophistication and star quality that make her watchable in anything. Back to the story. Abruptly, a third party is added - a young, American accountant Tom Fennel (Shaun Evans). Tom worships Julia and the London theater and, in later scenes in which Bening's Julia cannot stop laughing, seduces the all-too-willing older woman. In Julia's life offstage, she's always "on," always ready to greet her public, keen to be talked about in the newspapers and gossiped about on the street. Her marriage to Michael is very off-beat. He's either oblivious or apathetic to Julia's affairs. But he's both her biggest fan and harshest critic. When Julia wails in a moment of self-pity: "I'm a bitch!" Not skipping a beat, he begins his reply with "Nevertheless..." Julia is not far off from Bette Davis' character in "All About Eve." Indeed, "Being Julia" even borrows a few pages from that film in its last act, where Julia's status as Diva No. 1 is threatened by a mostly untalented but very aggressive engenue, Avice Crichton (Lucy Punch). Julia's growing jealousy of the girl is exacerbated by the fact that Avice is sleeping with Tom Fennel, too. What's a dyed-in-the-wool drama queen to do? Julia's outrageous on-stage solution is more entertaining than believable. Still, Bening's Julia demonstrates such wicked glee in doing it that it's hard to fault her. Hungarian filmmaker Istvan Szabo's movie presents sharp, high-class comedy and drama, but sometimes it doesn't seem sure what to do with anyone except Julia. When she is not on camera, the film becomes noticeably less engaging. Bening's expressive eyes, her beautiful face, her enthusiasm and passion make it impossible to take your eyes off her when she's on the screen. However, that's not just because she's beautiful but because she makes being Julia seem to be so much fun.
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