Most Helpful Customer Reviews
|
|
4 of 4 people found the following review helpful:
4.0 out of 5 stars
An Epic Thriller, 10 Aug 2006
Kurosawa's modern dress movies are generally less well-known than his samurai masterpieces, but critically "Ikiru" (aka "Living") has long been regarded as one of his finest films, and the same is sometimes said of this intricate police thriller.
"High and Low" is really two films in one. The first an enclosed, philosophical drama in which Toshiru Mifune gives a restrained but powerful performance as the wealthy man being blackmailed. Stagey, slightly Bergmanesque, it will not suit all contemporary viewers but it sets up the second movie: a gripping police thriller that follows the dragnet tightening on the blackmailer.
Taken as a whole the film is epic in two senses: not only is it long, at 143 minutes, but also it has a grand vision. Japanese society from the top to the bottom is the subject, and although the source material (an American thriller) remains visible, it is the director's observations of his own country that work best and stick in the mind.
This film is not ultimately as humane as "Seven Samurai" or "Hidden Fortress", but fans, for example, of the morally serious thrillers of Sidney Lumet will want to add this DVD to their collection.
|
|
|
6 of 7 people found the following review helpful:
5.0 out of 5 stars
THE DETECTIVE THRILLER LIKE NO OTHER, 23 Jan 2002
By A Customer
This film is so huge and is executed with such depth and precision that you just cannot fault kurosawa. His direction of this film is split, the first half of the film is shot looking up at the characters to suggest their power and life-style. The second half looks down on the city and slums, as they seek the kidnapper and his or her associates. Mifune is flawless as is the whole film, its just brilliant, dynamic, tense, thrilling. This is the detective film by which all detective thrillers should be measured. A real treat, enjoy.
|
|
|
1 of 1 people found the following review helpful:
5.0 out of 5 stars
This is an extraordinarily fine film, 4 Jun 2007
I watched this a few days ago for about the fifth time and have been thinking about it ever since. I think it probably is my favorite Kurosawa film.
Toshiro Mifune plays a top executive in a shoe company who is secretly planning to take over the company. He wants to keep making quality shoes and gradually expand the market. The other executives want to make cheaper shoes and take advantage of the company's reputation. Mifune has raised every yen he can, including using his house, for the buyout, but his son is kidnapped. For the ransome he'll need all the money he's raised. He's prepared to do this for the sake of his son.
Then he finds out that the kidnappers made a mistake. They kidnapped his driver's son, who is the same age as his own. What a terrible moral dilemma. Would you or I give up every bit of money we had to save a neighbor's or an employee's son? Mifune does, and this act has a great effect on the police and the public.
The first half of the movie takes place in his house on a hill while all this unfolds. The second half is the chase to find the boy before he's killed and to capture the kidnapper. We move from the intensity of the dilemma unfolding in Mifune's home to the gritty business of the search which takes us into some of the lowest parts of the Japanese underworld.
Mifune is powerful in the role of the father, at first torn by the decision he has to make, then commited to finding his driver's son. Tatsuya Nakadai plays the detective, handsome, smooth, professional, and ultimately deeply touched by Mifune's integrity. Years later Nakadai played the leads in Kurosawa's Kagemusha and Ran. And it was good to see Mifune out of samurai costume.
High and Low is the work of a master.
|
|
|
Most Recent Customer Reviews
|