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4 of 4 people found the following review helpful:
5.0 out of 5 stars
This is the version of this masterpiece to get., 21 Jan 2006
For much of the 19th and early 20th century the music of Berlioz was considered an in joke in musical circles. Outside of the Symphonie Fantastique and perhaps Harold in Italy, most of the composer's works were relegated to the dustbins of history. This was especially true of his operas, which were considered old fashioned and failures. But around 1960 the tables began to turn. Sir Colin Davis and a small group of other conductors spearheaded a Berlioz revival in Britain and America, rescuing many of Berlioz' greatest works from oblivion. Perhaps the biggest feat of rescue was this seminal recording of Berlioz' masterwork, Les Troyens.Berlioz had a life long love affair with Virgil and particularly with his Carthaginian heroine Dido. Les Troyens is his paean to Dido and to classical civilization in general. The opera is in the traditional French five-act form. The first two acts concern the downfall of Troy and center around the figure of Cassandra, the prophet who is given the gift of second sight but the curse never to be believed. From the outset, Berlioz is a master of the dramatic set piece. The opera opens with Trojans rushing to the plain in front of the city, celebrating the seeming retreat of the Greeks. The music is jubilant and even a little vulgar....so that the dramatic entry of Cassandra and her powerful aria is all the more highlighted. Cassandra is a vocally terrifying role. She only is present in the first two acts, and yet she dominates these acts completely. Berit Lindholm is phenomenal in the role, her voice powerful and yet capable of the tender turns of phrase the role requires when Cassandra remembers her husband Corebus. The last three acts concern the love affair between Dido and Aeneas. Much of this music is grand, in the best French sense. Court scenes abound, there is a fourth act ballet, the justly famous Royal Hunt and Storm, and long, aching love duets between the principals. Once again, the female role dominates, Though Aeneas gets a wonderful, dramatic and musical treatment by the incomparable Jon Vickers, it's Dido with whom you feel sympathy....the composer did as well. Josephine Veasey is a wonder, simply breathtaking. The opera is expertly conducted by Sir Colin Davis and the Orchestra of Covent Garden. Davis is one of the least appreciated conductors of his generation. He does not have the charisma of a Karajan or a Bernstein, but he makes up for it in taste, balance, and a fierce and self-effacing dedication to the composer's intentions. Les Troyens has become increasingly popular in the last 30 years, and there is some competition, particularly on DVD. The Met production from 1983 is quite good vocally, though the staging is uninspired at best and laughable at worst. But even with the likes of Tatianna Troyanos and Jessye Norman, that production doesn't hold a candle vocally or musically to Davis' original. Even Davis' own newer recording doesn't compare vocally. This is the version of this masterpiece to get. Berlioz' world in this piece is unique and beautiful and will give you endless hours of enjoyment.
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