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Track Listings
| Disc: 1 |
|---|
| 1. Daft Punk Is Playing At My House |
| 2. Too Much Love |
| 3. Tribulations |
| 4. Movement |
| 5. Never As Tired As When I’m Waking Up |
| 6. On Repeat |
| 7. Thrills |
| 8. Disco Infiltrator |
| 9. Great Release |
| Disc: 2 |
| 1. Losing My Edge |
| 2. Beat Connection |
| 3. Give It Up |
| 4. Tired |
| 5. Yeah (Crass Version) |
| 6. Yeah (Pretentious Version) |
| 7. Yr City's A Sucker |
Product Description
Amazon.co.uk Review
So much has been said about disco-punk's King Midas, New York musician/ producer James Murphy, that's its kind of hard to believe that we've had to wait until 2005 for the debut album from his dancefloor project, LCD Soundsystem. LCD's classic triumvirate of early singles – "Losing My Edge", "Give It Up", and "Yeah"--joined the dots between punk-rock, disco, and funk in a way that hadn't been seen since the New York downtown scene of the early '80s, but these are bravely relegated to a bonus disc in favour of a suite of new material that rework the band's influences in new, often explicit ways: take "Movement", for instance – a homage to The Fall that finds Murphy barking "It's a fat guy/ In a T-shirt/Doing all the singing!" over punchy analogue synths, or the quietly majestic "Great Release", a doff of the cap to Brian Eno circa Taking Tiger Mountain. For all his encyclopaedic musical knowledge, however, it's one of Murphy's strengths that he seldom seems uptight about the practise of music-making: it's how he can get away with penning a gonzo disco-punk number and naming it something as fantastically flippant as "Daft Punk Is Playing At My House"--and more importantly, it's why LCD Soundsystem succeeds as a splendid dance record as well as a smart intellectual exercise. --Louis Pattison
Description
Debut album from New Jersey's James Murphy, one half of theacclaimed production team DFA - largely responsible for putting New York's "punk-funk" scene on the map. Murphy's own solo effort crosses the minimalist, psychedelic sounds of 70sgreats like Can or Brian Eno with an almost mechanical sense of rhythm, with tight, martial beats aimed squarely at thedancefloor. This CD version includes a bonus disc compilingLCD's singles since 2003.
So much has been said about disco-punk's King Midas, New York musician/ producer James Murphy, that's its kind of hard to believe that we've had to wait until 2005 for the debut album from his dancefloor project, LCD Soundsystem. LCD's classic triumvirate of early singles – "Losing My Edge", "Give It Up", and "Yeah"--joined the dots between punk-rock, disco, and funk in a way that hadn't been seen since the New York downtown scene of the early '80s, but these are bravely relegated to a bonus disc in favour of a suite of new material that rework the band's influences in new, often explicit ways: take "Movement", for instance – a homage to The Fall that finds Murphy barking "It's a fat guy/ In a T-shirt/Doing all the singing!" over punchy analogue synths, or the quietly majestic "Great Release", a doff of the cap to Brian Eno circa Taking Tiger Mountain. For all his encyclopaedic musical knowledge, however, it's one of Murphy's strengths that he seldom seems uptight about the practise of music-making: it's how he can get away with penning a gonzo disco-punk number and naming it something as fantastically flippant as "Daft Punk Is Playing At My House"--and more importantly, it's why LCD Soundsystem succeeds as a splendid dance record as well as a smart intellectual exercise. --Louis Pattison
Description
Debut album from New Jersey's James Murphy, one half of theacclaimed production team DFA - largely responsible for putting New York's "punk-funk" scene on the map. Murphy's own solo effort crosses the minimalist, psychedelic sounds of 70sgreats like Can or Brian Eno with an almost mechanical sense of rhythm, with tight, martial beats aimed squarely at thedancefloor. This CD version includes a bonus disc compilingLCD's singles since 2003.