Reviews
Synopsis
Based on a book by Ira Levin which satirizes the roles of 1950s housewives, this is a remake of the 1975 film adaptation. Director Frank Oz presents a dramatic reworking of the horror classic, putting a totally over-the-top slant on the story that gives it true comedic value. In the early 21st century, a fast-paced Manhattan couple, Joanna (Nicole Kidman) and Walter (Matthew Broderick), both work for a major television network. While she is a leader and breadwinner in producing reality shows, he is a mere middle-management type. So when Joanna has a nervous breakdown, and Walter takes command, he's happy to find that for once in his life she's not stealing his fire. This sentiment is only asserted by the boys club that welcomes him when they move to the perfect town of Stepford, Connecticut. There, the women have been transformed by their husbands into a totally submissive, near-robotic state in which they are blissfully happy doing housework and looking pretty, and are totally compliant to their men. With Claire (Glenn Close) and Mike (Christopher Walken) leading this web of weirdness, Joanna and her only normal friend, Bobbie (Bette Midler), race to solve the mystery before they too become Stepford Wives.
DVD Description
An all-star cast remakes the 1975 socio-political horror flick, The Stepford Wives. After being fired as president of a television network, Joanna (Nicole Kidman) has a nervous breakdown, prompting her husband Walter (Matthew Broderick) to take her to a simple Connecticut town called Stepford to recuperate. But Stepford is a little strange: The husbands congregate at a closed-doors men's club, while the wives--all in bright summer frocks and air-brushed smiles--exercise to keep their hourglass figures and cook endless pastries. Joanna, along with new arrivals Bobbie (Bette Midler) and Roger (the very funny Roger Bart), soon discover that the mastermind of Stepford (Christopher Walken) has used cybernetics to "perfect" womankind. The Stepford Wives has some satirical zingers (from sneaky screenwriter Paul Rudnick), but the basic idea has lost a lot of gas since 1975. --Bret Fetzer