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Track Listings
| 1. Glory Days |
| 2. Mr. Huph Will See You Now |
| 3. Adventure Calling |
| 4. Bob vs. The Omnidroid |
| 5. Lava in the Afternoon |
| 6. Life's Incredible Again |
| 7. Off to Work |
| 8. New and Improved |
| 9. Kronos Unveiled |
| 10. Marital Rescue |
| 11. Missile Lock |
| 12. Lithe or Death |
| 13. 100 Mile Dash |
| 14. Whole Family of Supers |
| 15. Escaping Nomanisan |
| 16. Road Trip! |
| 17. Saving Metroville |
| 18. New Babysitter |
| 19. Incredits |
Product Description
Amazon.co.uk Review
Pixar Studios continues its string of computer animation successes with this satirical tale of a family of superheroes (picture a flabby, suburbanized Fantastic Four) forced out of retirement by--what else?--an evil genius and his plot for world domination. Director Brad Bird, whose Iron Giant was one of the 90's most sublime, if underappreciated animated triumphs, decided he wanted his Incredibles score to be a throwback to the spy-action genre of the mid-60's. Enter Michael Giacchino, the young composer who'd previously conjured a marvellously eclectic range of musical styles in service of TV's Alias. In his feature film debut, Giacchino (with a key assist from veteran arranger Jack Hayes) ups the ante of Bird's back-to-the-future spy-score gambit with an orchestral jazz soundtrack powered by the brash rhythms of television's Mannix and Man From U.N.C.L.E. beneath a veneer of melodic intrigue and detached elegance that recalls the prime of John Barry's James Bond oeuvre. More importantly, the young composer serves it all up with a sense of assured retro-cool and a distinct lack of irony that makes it all the more inviting. --Jerry McCulley
Pixar Studios continues its string of computer animation successes with this satirical tale of a family of superheroes (picture a flabby, suburbanized Fantastic Four) forced out of retirement by--what else?--an evil genius and his plot for world domination. Director Brad Bird, whose Iron Giant was one of the 90's most sublime, if underappreciated animated triumphs, decided he wanted his Incredibles score to be a throwback to the spy-action genre of the mid-60's. Enter Michael Giacchino, the young composer who'd previously conjured a marvellously eclectic range of musical styles in service of TV's Alias. In his feature film debut, Giacchino (with a key assist from veteran arranger Jack Hayes) ups the ante of Bird's back-to-the-future spy-score gambit with an orchestral jazz soundtrack powered by the brash rhythms of television's Mannix and Man From U.N.C.L.E. beneath a veneer of melodic intrigue and detached elegance that recalls the prime of John Barry's James Bond oeuvre. More importantly, the young composer serves it all up with a sense of assured retro-cool and a distinct lack of irony that makes it all the more inviting. --Jerry McCulley
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