|
|
4 of 4 people found the following review helpful:
3.0 out of 5 stars
Many different ways to judge this movie, 10 May 2003
As a fan of Madonna for 20 years (since I was seven), I admit that I am most likely unable to offer an unbiased review of any Madonna project. I am always giving her the benefit of the doubt, especially in the genre she has the most difficulty with: movies. After many many attempts, and despite a Golden Globe award for Best Actress in EVITA, true movie star status eludes Madonna. It is a mystery to me how Madonna can be the most successful female singer of all time, and yet usually give bad performances in movies. It is a mystery to me why - after selling over 100 million albums - she even *wants* to be an actress. Alas, she does. And, alas, she usually fails. And, because I love her, I keep coming back ... hoping. One level on which to judge this movie is in terms of Madonna's evolution as an actress. On those terms, she gives an astonishingly beautiful performance, perhaps the best of her career. But one must keep in mind how awful she has been in the past to grade on this curve (THE NEXT BEST THING anyone?). If she were any other actress, I would have turned off the DVD. I can still see her mistaking body positioning for emotional expression (she thinks she's still in Martha Graham's interpretive dance studio). Actors have a term for this kind of acting: "mugging." To her credit, however, she doesn't do that much of it in SWEPT AWAY. Another way to judge this movie is to remember that Madonna does not do single projects. She launches franchises. In 1987 it was the WHO'S THAT GIRL? era, with a movie, an album, a song, a video, and a world tour all with that title. In 1990 it was the "blonde era" with Madonna starring in DICK TRACY as the Marilyn-inspired blonde bombshell Breathless Mahoney, releasing the album I'M BREATHLESS, and launching the BLONDE AMBITION world tour. SWEPT AWAY is part of the "work with my husband" era. Madonna wants to constantly remind the public that, unconventional though she is, she *has* found a husband and *does* have a family: Madonna's husband, Guy Ritchie, directed SWEPT AWAY, as well as the video for WHAT IT FEELS LIKE FOR A GIRL and a car commercial in which she starred. The basic premise of SWEPT AWAY - a rich woman scorned by many but given a type of redemption by a younger man with less money - perfectly mirrors Madonna's current life. The behind-the-scenes footage of Guy Ritchie in his director's mode yelling at Adriano Giannini (the true star of this film) to "Get off her!" was shown around the world. She is not the Boy Toy anymore. She is Guy Ritchie's wife. So, as a singular project, SWEPT AWAY is not a success (the storyline does not translate well from the Italian or the '70s). But as a means to reiterate Madonna's current franchise, it does the trick. And yet, and yet, at moments SWEPT AWAY almost works: Madonna occasionally seems natural, and the scenery is always beautiful. It's enough to make me think that Madonna may actually, possibily, be on the road to one day being a legitimate actress. Bottom line: as with most Madonna films, this is only for the diehard fans.
|