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53 of 69 people found the following review helpful:
3.0 out of 5 stars
Lacks magic, 28 Nov 2004
Let's accept that the Arthurian legends are fiction: the 'traditional' version of sword in the stone, Round Table, hand emerging from the lake to grasp Excalibur, etc., was written in the Middle Ages. This film steps away from the 'traditional' to create a new warlord - inheriting the qualities of Roman civilisation and Roman military skill - leading his men in the fight against alien invaders.As a piece of history, it is a piece of fiction. Since the success of "Gladiator", the ancient world has again proven its potential for blockbuster success (remember "Ben Hur", etc.), so it makes sound marketing sense to give Arthur a Roman background - American audiences will recognise that. The absence of any historical accuracy is of no consequence. We are looking, here, at a piece of fiction. So how does it rate as a piece of fiction? Well, not particularly good. There's a fine cast - Ioan Gruffuth, Clive Owen, Ray Winstone, and Keira Knightley. There is potential for a reworking of the Arthur legend - the remnants of Rome and the native Celtic warriors stand up to Saxon invasion ... the irony being that these self-same Saxons will go on to found England and become the heroes of the Robin Hood legend (where Kevin Costner has the Saxon's attacked by mercenary Celtic barbarians). Hollywood rewrites history and folklore at will. The potential in a reworking of the Arthurian myth is to look at issues of end of Empire and explore how the Celtic nations within Britain are reasserting their cultural and political independence from England. That, of course, might be too sophisticated for Hollywood, and an American audience could hardly be expected to appreciate the nuances of Celtic / British / Anglo-Saxon culture and politics. Hollywood has a vested interest in presenting war as good versus evil, as seeing the politics of resistance simplistically - try translating this film to present day Iraq? But the Arthurian legends were written and told for an adult audience. John Boorman's "Excalibur" was a very erotic, sophisticated retelling of the tale - and still the best cinema version. "King Arthur" is sterile. The erotic potential, the gore and violence, the language, and the drama are all kept on a low burner - the film was marketed at a young audience (12 year olds) in Britain, so the film was inevitably neutered. The magic and the mystery are stripped from the story. Owen is wrong for the part - he's boring. Knightley is sexy, but you can't believe her as a warrior queen - there's barely enough meat on her arms to snap a wishbone, never mind draw a bow. Gruffudd and Winstone do their best, but the script is so neutered they're fighting a losing battle. So, you hope that something called the Director's Cut might revive a film which has potential. You hope the film has been neutered by the marketing people and that the director's version will be something grander, something with substance, some tale which will enchant you and weave a pattern of eroticism and mystery ... and maybe offer a bit more gore and guts. Well, the Director's Cut restores an extra quarter an hour of violence and battle scenes, enough to get it an 18 certificate. But that's as far as it goes. There's not enough to lift the film into a higher plane. You get a 'Making of' documentary, an alternative ending, etc. Frankly, all these 'Making of' features are getting quite boring. Most of us want to watch the movie, maybe watch it several times. How many of you actually watch the extras time and again? Effectively, the Director's Cut gives you an extra few minutes of battle scenes. If you enjoy that sort of spectacle, this is the version you'll buy. But, as a piece of drama, I still do not rate this film.
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