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Silent Shakespeare [1899] [DVD]

5.0 out of 5 stars See all reviews (1 customer review)

RRP:	�19.99
Price:	�19.59 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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6 new from �15.94 1 used from �19.00

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	71% buy the item featured on this page: Silent Shakespeare [1899] [DVD] 5.0 out of 5 stars (1) �19.59
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	7% buy The BBC TV Shakespeare Collection [DVD] 4.6 out of 5 stars (32) �83.97
	5% buy Shakespeare ReTold [DVD] [2005] 4.5 out of 5 stars (24) �5.88

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Product details

Format: Black & White, Full Screen, PAL, Silent
Language English
Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
Aspect Ratio: 1.33:1
Number of discs: 1
Classification: Exempt
Studio: Bfi Video
DVD Release Date: 25 Oct 2004
Run Time: 88 minutes

Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)

ASIN: B000621PAQ
Amazon.co.uk Sales Rank: 51,771 in DVD (See Bestsellers in DVD)

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Synopsis

Silent, tinted versions of Shakespeare's classics made at the turn of the century: King John (GB 1899), The Tempest (GB 1908), A Midsummer Night's Dream (USA 1909), King Lear (Italy 1910), Twelfth Night (USA 1910), The Merchant Of Venice (Italy 1910) and Richard III (GB 1911). Accompanied by a new score from award winning composer Laura Rossi.

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5 of 5 people found the following review helpful:

5.0 out of 5 stars Amazingly refreshing in spite of the age, 14 Feb 2007

By	Jacques COULARDEAU "A soul doctor, so to say" (OLLIERGUES France) - See all my reviews (TOP 500 REVIEWER) (REAL NAME)

Of course these silent short movies are not what anyone could expect about Shakespeare who is the king of speech and the god of soliloquies. But these films are real gems in our library because they represent what could be done with a camera, black and white and all, one century ago, between 1899 and 1911. It is brilliant and it also shows how the body was used to express what could not be heard. One of the best I think is Twelfth Night. Body language is just as strong as words if we really want to use that body to say something. What's more the technique or techniques used in some of these films show how they wanted to go beyond these black and white moving pictures, how they longed for colour, even to the point of adding some with some crayolas or so. What was so strong in these pictures to ignite the imagination of so many people, technicians, directors, actors or audience, to the point of moving en masse to this new art, to this silver screen that went beyond anything anyone had ever dreamt. We may have lost some of that art with one century of progress and technicalization of every single aspect of the film industry, to the point of wondering at times if we have not lost the art and the creativity along with the poverty and the novelty of this medium.

Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris 1 Pantheon Sorbonne

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