Reviews
Amazon.co.uk Review
A Hollywood scandal springs to life in Peter Bogdanovich's lively Cat's Meow. In 1924 the immensely powerful publishing magnate William Randolph Hearst held a yacht party that ended with a gunshot. Between Hearst's influence and that of his glitterati guests (including Louella Parsons and Charlie Chaplin), no satisfying account of what happened ever made it to the public. The Cat's Meow reconstructs one of the more whispered-about possible scenarios and has quite a bit of fun doing so. Cast and crew alike skewer 1920s Hollywood decadence and, by extension, today's. Eddie Izzard is a boldly odd casting choice as Chaplin, but he succeeds, refusing to fall back on Little Tramp mannerisms. There are several other good performances, but best of all is the cool-as-sherbet Joanna Lumley as the deliciously jaded Elinor Glyn. The script is a strong one, never stooping to the excesses of its characters--Bogdanovich's take is far from the most lurid allegations of what happened that weekend. --Ali Davis
Synopsis
In November 1924, multimillionaire William Randolph Hearst (Edward Herrmann) hosts a weekend of festivities aboard his 220-foot steamer in honor of filmmaker Thomas Ince's (Cary Elwes) birthday. It seems that everyone on board wants something from Hearst. Ince and his partner, George Thomas (Victor Slezak), need his financial assistance for their faltering business; gossip columnist Louella Parsons (Jennifer Tilly), an East Coast Hearst employee, wants to transfer to Tinseltown; and comedian womanizer Charlie Chaplin (Eddie Izzard) wants Hearst's lover Marion Davies (Kirsten Dunst) for his own. Joined by other party goers, including English Victorian novelist Elinor Glyn (Joanna Lumley) and Ince's mistress, the actress Margaret Livingston (Claudia Harrison), the group ships off for a weekend of fun and debauchery. The festivities soon turn more serious as Chaplin pursues Davies, fueling Hearst's jealousy over their alleged relationship. Ince, meanwhile, attempts to ingratiate himself with Hearst by keeping an eye on Chaplin and Davies. Ultimately, jealousy leads to tragedy, with all of the party goers sworn to secrecy over what transpired. Director Peter Bogdanovich (MASK) successfully recreates the opulence of Hearst's lifestyle and the spirit of the Roaring Twenties right down to the bootleg moonshine and the Charleston.