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The Godfather: Part III [DVD]

3.8 out of 5 stars 72 customer reviews

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Product details

  • Actors: Al Pacino, Diane Keaton, Talia Shire, Andy Garcia, Eli Wallach
  • Directors: Francis Ford Coppola
  • Producers: Francis Ford Coppola
  • Format: PAL
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 15
  • Studio: Paramount
  • DVD Release Date: 27 Sept. 2004
  • Run Time: 163 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (72 customer reviews)
  • ASIN: B0002VF584
  • Amazon Bestsellers Rank: 23,149 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

A compelling followup to the classic GODFATHER I and II films. Michael Corleone has a strong desire to escape the corruption of his "family business" but fate and circumstance dictate otherwise. It seems all the power on Earth can't change destiny - everytime Mi chael tries to get out and "go legit," he's pulled back in.

From Amazon.co.uk

Sixteen years after Francis Ford Coppola won his second Oscar for The Godfather II (his first was for the 1972 Godfather), the director and star Al Pacino attempted to revive the concept one more time. Despite an elaborate plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola). --Tom Keogh --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Top Customer Reviews

Format: Blu-ray
Finally! I have seen the Godfather Trilogy, something I've wanted to be able to say for the longest time. And, with this part of the trilogy, I went in with my eyes wide-open: the movie the critics despise. I was absolutely determined to avoid having my view or my opinion poisoned by this known negative bias, and I think I succeeded. The problem, though, is that the film just isn't as good as the other two.

You see, the film has its strengths, sometimes it even displays strengths the other two just didn't, such as the strong emotional reaction evoked by Pacino and Keaton's chemistry; although, of course, one shouldn't ignore the well written dialogue between the two characters either. For the first time, I was made care about Michael's love for Kay, something that his immorality had blocked in the prior two parts. This time, however, with Michael's quest for redemption, his love is absolute and obvious, which Pacino makes very obvious in his (again) outstanding performance.

Unfortunately, the emotional depth sacrifices the sort of objectivity the previous films had, making this movie a little melodramatic and soppy at points. This is actually a holistic problem for the film: almost all of it is simply too over the top. Any believability the other two films had is sort of shot here. This just wasn't a film I wanted some sort of alternate history in, it completely destroyed my ability to suspend disbelief.

The inclusion of the new characters is necessary, I suppose, but also not entirely successful. I found the new characters a distraction for a number of reasons, both the problem of the writer and a certain actor. For one, the new characters just didn't get any real development; the exception being Vincent Mancini, of course, but his development was so rushed.
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Format: DVD
I got this as part of the Godfather "box set" so it was a compulsory buy as such all the 3 main films and the extras.

Part III I watched many years ago after first release and I didn't like it much, it felt rather wooden and not particularly convincing screenplay wise. Having had the chance to sit down and watch it more times, it isn't a terrible movie...but it's clearly not up to the hard hitting previous instalments.

The story is a continuation from the previous film, a more aged and somewhat regretful Michael Corleone is trying to clean up his business affairs and seeks to do some good deeds giving to charity and his involvement with the Vatican can be seen as "sin cleansing" for his ruthless prior actions. We have an enthusiast though slightly OTT performance from Andy Garcia as Vincent Mancini the son of Michael's late brother Sonny, who is the perky though lacking in restraint potential future "Don" in waiting as Michael winds things down personally.

Cast wise a mixed bag we have a decent performance as ever from Pacino, Diane Keaton does solid service as Kay, Garcia is a bit too eager in my view and overplays the Vincent part. The film came in for serious criticism regarding the acting of Sofia Coppola who plays Mary Corleone, many saw it as a ill advised move from Francis Ford Coppola to parachute his own daughter into an important role. Sofia never looks at ease and struggles throughout the entire film. Roger Ebert defended her as a casting choice, but I won't..the girl can't act simple as that.
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Format: DVD
I confess it! "Godfather III" is one of my favorite movies. All right, it has less-than-perfect moments, but it also has memorable ones, such as the touching confessional scene between Michael (Al Pacino) and the Cardinal (Raf Vallone) in the cloister, and the reconciliation of Michael and Kay (Diane Keaton) in Don Tommasino's dining room.

I especially enjoy the Italian locations, and since I spent the `80s in Italy, amidst rumors about what was commonly regarded as the suspicious death of John Paul I; the scandals of the Vatican Banco Ambrosiano (with the banker Calvi hanging from the Blackfriars bridge); the P-2 scandals in the highest posts of the government, not to mention numerous assassinations of judges in Sicily, the background of the story--the last half of which takes place in Sicily--rang true for me. Furthermore--and more importantly--Coppola's brilliant use of recurrent visual and thematic imagery renders the film outstanding not only on its own merits but also in respect to the first two films. Besides the well-discussed use of oranges whenever a catastrophe is imminent, Coppola constantly juxtaposes themes of religion and death, replicating the events of the story--the biting of the ear; the religious procession, the veiling of the head--with those of Mascagni's magnificent opera about death, revenge, and religion in Sicily: "Cavalleria Rusticana." Coppola intersperses scenes of the opera with scenes of actual vendetta, as the plans of Vincenzo--the new godfather--are carried to their violent conclusion. The part I love the best, though, is when Coppola transfers the tragedy taking place onstage in the opera, outside onto the steps of the opera house--life imitating art.
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