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Nymphetamine CD

4.5 out of 5 stars 43 customer reviews

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Product details

  • Audio CD (20 Sept. 2004)
  • Number of Discs: 1
  • Format: CD
  • Label: ROADRUNNER UK
  • ASIN: B0002UY4VO
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (43 customer reviews)
  • Amazon Bestsellers Rank: 24,393 in Music (See Top 100 in Music)
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Product Description

Product Description

titolo-nymphetamineartista-cradle of filth etichetta-roadrunner arcaden. dischi1data27 settembre 2004supportocd audiogenerehard rock e metal---- brani1.satyriasis 2.gilded cunt 3.nemesis 4.gabrielle 5.absinthe with faust 6.nymphetamine overdose 7.painting flowers white never suited my palatte 8.medusa and hemlock 9.coffin fodder 11.filthy little secret 12.swansong for a raven 13.mother of abominations 14.bonus nymphetamine fixine

Amazon.co.uk

They've had their share of jibes, but the days that saw Cradle Of Filth dismissed as a Black Metal novelty turn are long dead. Nymphetamine, you see, finds Dani Filth and his diabolic army on fine form: easing up on the grandiose but sometimes over-egged orchestral edge pioneered on 2003's major label effort Damnation And A Day, the likes of "Gilded Cunt" and "Coffin Fodder" find the Filth reaffirming their dark pledges to extremity, hammering out pitch-black sheets of dark metal as barbed and ornate as Samurai battle armour.

A new emphasis on melody will inevitably alienate some of the hardcore end of Cradle's fanbase, but it's hard to deny this shift is behind some of this record's most intriguing moments – see, for instance, "Nymphetamine Overdose", a duet with Live Kristine, formerly of Norwegian gothic metal veterans Theatre Of Tragedy. Indeed, Nymphetamine offers further proof that COF are not a band for the Black Metal snobs: they're the rare band who've succeeded in reconciling the musical extremity of their genre with the narrow tastes of the mainstream rock marketplace. Long may their devilish schemes bear rotten fruits. --Louis Pattison

Customer Reviews

Top Customer Reviews

Format: Audio CD
Now, if we are to look up the noun "Hybrid" in the dictionary, we would probably find "...of mixed origins or composition," or something similar. Now, this album is definitely deserving of the classification "Hybrid". Rather than pursuing the Black Metal ideals of Darkthrone, Cradle seem to have veered more in the direction of the more progressive Black Metal bands, such as Emperor and Sigh, and become less Black Metal and more accessible to the none-Black Metal hardcore fan. This album has some beautiful piano melodies (English Fire, Absinthe With Faust) some orchestral instrumentals far more interesting than, for instance, Sin Deep My Wicked Angel, (Satyriasis, Painting Flowers White Never Suited My Palette) and some tracks that are simply EPIC (Nymphetamine, Gabrielle, Swansong For A Raven, Mother Of Abominations).

Make no mistake, this album is NOT black metal. Indeed, it has more in common with the symphonic metal of Therion, and sometimes it even veers into Iron Maiden-esque heavy metal territory. This album, is, indeed, a hybrid of genres, and Black Metal simply happens to be one of the most prevailing of those genres.

Don't be expecting the poor production of true Black Metal, either; the vocals are crystal clear, as is everything else. While this music is dark and undoubtedly a little vicious, it doesn't sound as evil as such classic albums as A Blaze In The Northern Sky, but it makes up for this lack of frostiness, with its grandiose, sweeping gothic melodies.

The beautiful, epic storytelling of Her Ghost In The Fog and Beneath The Howling Stars is nowhere to be found on this album, which is definitely a shame, but such gripes are soon forgotten when hit by tracks like Nymphetamine. The first time I heard Gilded C*nt I was blown away, and was upset when it ended, and the rest of the album is definitely NOT a let down.

Overall, an excellent METAL album.
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Format: Audio CD
This new offering from cradle of filth is suprisingly very good, considering the speed in which it has been released from their previous album. Make no mistake about it, this album is true and true gothic metal. There are tracks that cross towards death metal such as Gilded C**t. Tracks such as Gabrielle, Nymphetamine, Medusa and Hemlock and Swansong for a raven really stand out. Cradle of filth are on an upward spiral at the moment, its true that their image and music has fluctuated over the years, but this band is very capable of producing solid albums and this is another example. This is an album to be judged as gothic metal, in my opinion this band hasnt been down that black metal road since cruelthy and the beast, so this album hence should be analysed as gothic metal. Lyrically Dani Filth is probably the best song writer in the world at the moment, theres very few artists that write in old victorian style english like he can. But none the less, cradle fans, gothic fans this album is well worth your money, very good offering from one of the most criticised metal bands around, but from listening to this , you ll realise how hollow that criticism really is, as it surely aint their music that can be criticised
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Format: Audio CD
The latest release from Cradle of Filth is upon us, not unlike the preverbal beast stalking its helpless prey. The new album is just that, new and much harder than previous releases but with all the usual bravado and skill that is lifting COF up and out of the underground within sight of the mainstream.
The new album kicks off with a short but poignant mini-track that sets mood and scene for this epic of big sounds, hard riffs and contrasting vocals from Danni Filth and the Italian devour Liv Kristine. The tracks are all distinctively COF however with the huge almost operatically sound you could almost be fooled into thinking that you were listening to something else.
Unlike some of their earlier works this latest release flows from start to finish and although each track is distinctly different, the artistic flow is deeply apparent and works extremely well all the way through the album.
Most of the tracks are of significant length (up to nearly 10 minutes for some), but COF have never shied away from allowing the expression of their creativity to over rule the industrial standards of 3 ½ minute tracks. With track names listings such as Gilded Cunt and Coffin Fodder, COF show that they certainly still have a flair for stirring up a storm of controversy.
The final track which is, insodently also featured on the film "Resident Evil - Apocalypse, features the incandescent Ms Kristine, former member of Theatre of Tragedy and her cool, crisp vocals contrast beautifully with Filth's rips and screams.
All in all probably one of COF best peaces of work so far, although some of the old school COF fans may not approve, but will I am sure, find it hard to resists this latest offering from Mr Filth and his boys.
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By A Customer on 4 Oct. 2004
Format: Audio CD
I must admit that I almost didn't buy this album and had it cost more than £11 I probably wouldn't have. Damnation and a Day was so disappointing that I thought it was the end of the band.
I was wrong.
This album is stunning. Well stunning for the band anyway. There is still the huge let down of Mr Filth's voice but the quality and diversity of the music manages to make up somewhat for that. Indeed Danni's singing nearly cost this album a star. I was going to give it three but in generous mood I upped it to four. It doesn't get five because of track two, Gilded C###. The first single and without a shadow of doubt the worst track on the album. That and the fact that it is the most childishly titled track I have ever heard. Danni Filth is an intelligent man so why he feels the need to use such profanities I don't know. Most bands grow up as they get older, it appears CoF are going through a midlife crisis.
Anyway enough of the rants. Highlights of the album must include Nemesis, Mother of Abominations and the excellent title track.
If you felt let down by the last album buy this one. As a previous reviewer stated it is there most diverse to date.
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