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Carla's Song [DVD]
 
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Carla's Song [DVD]

DVD ~ Robert Carlyle
4.4 out of 5 stars  See all reviews (5 customer reviews)
RRP: £19.99
Price: £8.68 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Frequently Bought Together

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What Do Customers Ultimately Buy After Viewing This Item?

Carla's Song [DVD]
55% buy the item featured on this page:
Carla's Song [DVD] 4.4 out of 5 stars (5)
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Product details

  • Actors: Robert Carlyle, Oyanka Cabezas, Scott Glenn
  • Directors: Ken Loach
  • Format: Director's Cut, PAL
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 15
  • Studio: Universal Pictures UK
  • DVD Release Date: 11 April 2005
  • Run Time: 120 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • ASIN: B0002PC2KO
  • Amazon.co.uk Sales Rank: 22,815 in DVD (See Bestsellers in DVD)

Reviews

Special Features

Commentary by Ken Loach and Paul Laverty Deleted Scenes Original Theatrical Trailer Director and Writer Biographies Introduction booklet by Paul Laverty


Synopsis

Paul Laverty drew on his experiences as a lawyer working with human rights groups in Nicaragua in writing the script for Carla's Song, which stars Robert Carlyle (Trainspotting) as George, a Glasgow bus driver. Attracted to Carla (Oyanka Cabezas), a beautiful but impoverished Nicaraguan woman who often rides his bus, he sometimes allows her to ride for free--and is fired as a result. But he keeps in touch with Carla, helping her find a place to live in a spare room of a friend's apartment after learning that she's become detached from a dance troupe, forcing her to dance in the streets of Glasgow for meager remuneration. As they continue to see each other, George finds that Carla is subject to drastic mood swings, a result of her Sandinista boyfriend, Antonio (Richard Loza), having been captured by the Contras. Realizing that nothing will be resolved until Carla discovers the truth about Antonio, George agrees to accompany her to Nicaragua to try to find him. Carlyle is typically excellent in this film by hard-hitting English filmmaker Ken Loach, who is known for casting an unswerving eye on complex political and human rights issues.

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5 Reviews
5 star:
 (2)
4 star:
 (3)
3 star:    (0)
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Average Customer Review
4.4 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
18 of 19 people found the following review helpful:
4.0 out of 5 stars Another superb act of realism., 16 Oct 2007
By DangermouseZilla "He's the strongest, he's th... (Doncaster, Yorkshire, UK.) - See all my reviews
(TOP 100 REVIEWER)   
The start of this film is typical Ken Loach. Real people living real life in a film so drenched in reality that it could have been filmed using hidden cameras in Glasgow.

Loach does something on screen that I've never seen any other director do. He manages to get performances so realistic that you feel compelled to stay tuned to see what happens - a bit like a soap opera, but good. You genuinely feel for the characters and believe that they exist - this is especially important for a Loach film as they tend to be politically charged - and the people involved HAVE to feel real in order for the politics to matter.

The first part of this film is set in Glasgow and shows how the Jack-the-lad bus driver George lets an exotic looking passenger (Carla) escape from his bus after she is shouted down by a ticket inspector. She snook onto the bus and has no ticket, George defends her and pays the 40p himself for her a ticket.

She later sees him and thanks him, she even gives him a present for his act of kindness. From that moment on George is intrigued by her and through his persistence they start to develop a friendship. George even `borrows' his bus for a romantic walk in the Scottish countryside.

Robert Carlisle is nothing short of fantastic in this film. His natural charisma helps carry the character of George, and he portrays all the frustration and anger the character has in a touching way.

Carla's suicide attempt, post-traumatic stress, and knowledge that she has a difficult past help George build a strong protective instinct for her. They become lovers and then the film takes a dramatic cinematic shift.

The rest of the film is based in Nicaragua where revolution is all around and Carla must face her demons. Here we see Carla come out of her shell as she begins to feel more comfortable about herself. We she an almost childlike innocence about her and sympathise about the unspoken horrific event which she is so rocked by. They search for her friend and former lover Antonio.

Oyanka Cabezas manages to put across the vulnerability and independence of the mysterious Carla in an equally touching way.

Whilst in Nicaragua they find Bradley - a former associate of Carla and a US worker over there. Bradley played by Alien's Scot Glen provides the mouthpiece for the political teachings of the film. His character is difficult to like initially, but you always feel that this is because he is embittered by people's lack of understanding of the appalling situation in Nicaragua. It is he who explains how the Americans have effectively sponsored the killings of innocent people. Glen acts well in the role, but he seems to stick out like a sore thumb when compared to the more naturalistic acting of the rest of the cast.

I'm not going to discuss the plot any further, but there are scenes with Robert Carlisle which glued me to the screen. His exchange of T-shirts at a bar in Nicaragua was such a powerful scene and couldn't help but make you love George even more.

The film doesn't feel as preachy as other reviews have made out - but it does certainly feel a bit all over the place at times. As if it's trying to cover more than it can in the time it has.

If it wasn't for the strength of Robert Carlisle's performance I'd have maybe given this three stars (as I can't give it 3.5), but because he was so enigmatic during the whole feature - I've given this a four.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars Ken Loach at his best, 21 Mar 2009
By Mrs. M. Layden "Mags" (Scotland) - See all my reviews
(REAL NAME)   
Brilliant film - very moving and will stay with me for a long time - thoroughly recommend it .
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4.0 out of 5 stars River City meets the Killing Fields, 13 Sep 2009
By LXIX (scotland) - See all my reviews
Carla's Song is a strange film, but highly watchable. The concept of a Glasgow bus driver taking pity on a Nicaraguan refugee with no money to pay her fare and then falling for her is an unusual one. Does it work? Kind of, but not really. The relationship accelerates at an implausible pace and before we know it the Glasgow bus driver has dumped his blonde fiancee and is Central America rapidly learning about the sandanistas etc amidst guerilla warfare.

Although the premis of the film is quite strange it's still an entertaining story and has a number of amusing scenes. For example, the dialogue exchange at the very end about the CIA and the Glasgow buses is an absolute classic.

Set in 1987, the film-makers have paid attention to detail (including the old red Strathclyde Regional Council buses and Glasgow's Miles Better t-shirts). Some of the actors here are also familiar faces and do seem to pop up all the time in Scottish films (Orphans, My Name Is Joe etc).

Overall, an unusual, amusing tale of contrasts (urban Glasgow and the Nicaraguan jungle), dark at times and with light humour, but entertaining.

There's also a raft of useful extras on this DVD package.
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Most Recent Customer Reviews

4.0 out of 5 stars A film of two parts, both excellent
The early part of the film is gritty realism, kitchen sink drama with a bigger picture setting, of the type Loach has excelled in. Read more
Published 6 months ago by Old Socialist

5.0 out of 5 stars Brilliant Film
Robert Carlyle in this film is better than I've ever seen him.
He possesses a gritty realism that enables him to play working class character parts like few others. Read more
Published 10 months ago by M. Telford

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