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54 of 56 people found the following review helpful:
5.0 out of 5 stars
A fascinating story about intimacy, 29 Jul 2006
Set in Paris in the 1960s "The Dreamers" is a tale of love, intimacy and possession. An American student Matthew (Michael Pitt) meets the alluring Isabelle (Eva Green) and her equally charismatic twin brother Theo (Lewis Garrel) and their shared love of film and immediate sexual attraction brings the three together. At first Matthew is intrigued by the powerful intimacy between the twins but as time goes by and his feelings for Isabelle intensify he grows weary of what he believes to be a limiting brother-sister relationship.
Whilst the student riots of 1968 is a recurring theme that eventually divides the characters, the tale could just as easily have been set in another place at another time because it's the timeless characters who make the story fascinating and entertaining.
The film is deeply erotic and at times explicit but never gratuitously, with sex scenes and frequent nudity really adding to the understanding of the character relationships.
The film is directed by Bernardo Bertolucci ("Besieged", "Stealing Beauty") and is based on a novel by Gilbert Adair. After watching "The Dreamers" I'm very keen to view other work by both the writer and director.
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26 of 32 people found the following review helpful:
4.0 out of 5 stars
Dreamy Dreamers, 13 Aug 2004
By A Customer
Set in Paris, 1968, this film conveys the most delicate and beautiful atmosphere, despite the turmoil of the period. In the absence of a plot, it is this atmosphere, and what is created by the three characters that is so appealing. A house to themselves and little money, these characters discover much more to indulge in than their shared passion for film. Shocking, curious and elegant... highly reccomended.
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29 of 36 people found the following review helpful:
4.0 out of 5 stars
Defying expectations and actually does the impossible, 23 April 2006
Without generalising, most of todays films that either try to explore sexuality and youth and liberty tend to side with the explicit, and thus the film is weak.
The Dreamers departs from this tradition. Finally we are given a truely riveting plot, that is utterly consuming, so much so, it is mouth-watering. Here, Bernardo Bertolluci hones his craft perfectly that he does the unimaginable-he gives us characters whom we actually care about. Theo (played by Louis Garell, who after the volitile Ma Mere, proves his acting ability) and his twin sister, Isa, do not have a normal relationship. They liberate themselves and taboo break, they are not phased by seeing one another naked or partaking in sexual acts. But it is a pure bond of love and nothing incestuous, although it does misleadingly form this impression at the beginning.
In steps Matthew, an American student taking in the sights and sounds of Paris, amidst the politcal back drop, that is so vivid, the film has a potent air of true period capture and revolution.
In cinema, if there is one thing i can not abide by, it is jumped up films that are pretentious drivel, pretending to be a mix of drama and erotisism. But that is where again The Dreamers again departs from tradtion. The naked flesh and sexuality explores the relationship between the three characters, in a simply breathtaking manner. Usually the audience will be on alert when the sauce appears on screen, but this film has such a natural ease that what potentially could of caused a mainstream furoure, is instead sheer provocative brilliance.
The young actors are fantastic, haunting and memorable-and what a surprise it was to see Anna Chancellor in this film, as Theo's and Isa's mother.
Believe me, this film is not pretentious pornography; it is a visually stunning and unashamedly flipant film. Touching and humerous, with a bittersweet twist, this is sadly a coming of age tale that will not be as highly regarded by a younger audience, who appreciate the taste of the American Pie triology, but whose pallets are not sophisticated enough to stomach the gripping The Dreamers. An art-house classic of recent times.
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