Product Description
Amazon.co.uk Review
Stylistic shifts are nothing new in the career of Bill Frisell, who changes musical directions more often than Madonna. In fact, he even covered a Madonna song once. Unspeakable continues that tendency as Frisell teams up with Hal Wilner, a wilful musical eclectic. The two have worked together on collaborative projects including tributes to Nino Rota, Walt Disney, and Charles Mingus. Wilner, who is also the turntabulist here, orchestrates a landscape of turntable spins and space jams using generic library production discs for much of his source material. '60s Dragnet jazz horns and orchestral Twilight Zone stylings lend the modern sound of Unspeakable a strangely nostalgic hue. Frisell finds himself in a landscape of Ligeti-like strings, bongo percolations, and Ghanian tribal calls, most of if super-charged by the rhythm team of bassist Tony Scherr and drummer Kenny Wollesen. Their funky beats lay the terrain for Frisell's angular crossfire solos, but he can also wax sweetly nostalgic on "Hymn for Ginsberg" for guitar and string trio. Bill Frisell is filed in jazz, but he continues to be a genre unto himself. --John Diliberto
CD Description
On UNSPEAKABLE, Bill Frisell blends his distinctively lush,cerebral guitar style with the easy feel of his 1990s Americana-themed albums and a bit of the avant-garde sensibility of his '80s work, while never directly referencing either ofthese phases. In fact, the overall sound of UNSPEAKABLE is something new for Frisell--with a few notable exceptions, the record leans toward groove-heavy jams. The presence of horns, Adam Dorn's synthesizer, and the 858 Strings (a violin/viola/cello trio employed throughout the album for accent andeffect) brings to mind, at times, the orchestrated, cinematic funk of '70s-era Isaac Hayes ("White Fang"), and, at others, '60s lounge music ("Del Close").
But this is not to say that Frisell has discarded his trademark avant-chamber sensibility. On "D. Sharpe" and "Gregory C"., he creates deeply introspective, atmospheric pieces with help from the 858 Strings and Hal Willner's turntables and samples. Experimental (albeit groove-based) sounds wind through "Stringbean" andthe unsettling murmur of "Old Sugar Bear". Overall, the combination of soulful grooves and exploratory impulses, superbarrangements, and fine musicianship (with Frisell's trademark pyrotechnics lending both sophistication and edge) makes UNSPEAKABLE one of the most musically integrated and modern albums of the guitarist's career.