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Human Resources [DVD] [1999] [Region 1] [US Import] [NTSC]
 
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Human Resources [DVD] [1999] [Region 1] [US Import] [NTSC]

DVD ~ Jalil Lespert
3.0 out of 5 stars See all reviews (1 customer review)

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Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details). Please expect a delivery time of 5-7 days.


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Product details

  • Actors: Jalil Lespert, Jean-Claude Vallod, Chantal Barré, Véronique de Pandelaère, Michel Begnez
  • Directors: Laurent Cantet
  • Format: Closed-captioned, Colour, DVD-Video, Full Screen, Subtitled, NTSC
  • Language French
  • Subtitles: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Image Entertainment
  • DVD Release Date: 3 Aug 2004
  • Run Time: 100 minutes
  • Average Customer Review: 3.0 out of 5 stars See all reviews (1 customer review)
  • ASIN: B0002EJ7LM
  • Amazon.co.uk Sales Rank: 186,387 in DVD (See Bestsellers in DVD)

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Average Customer Review
3.0 out of 5 stars (1 customer review)
 
 
 
 
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Management vs. labor in a contemporary French setting, 15 Jan 2007
By Dennis Littrell (SoCal) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
I thought this was played in a rather too pedestrian manner until near the end when the unspoken conflict between the father and the son exploded. In a sense this is a story more or less a century behind its time. We have the factory and the bosses, and we have the workers whose labor is exploited by those who own and control the capital. We have the union organizers who are little different from those who long ago sought a worker's paradise while employing communist tactics.

But where this is different is that it depicts the conflict in a contemporary setting with the institution of the 35-hour week as the bone of contention. Jalil Lespert plays Franck, the son who is home for the summer from college in Paris to serve as a management trainee at the factory where his father (Jean-Claude Vallod) is employed. The father is a throwback to the loyal worker of the 19th century who was wedded to the machine, who adored the machine, someone who has completely accepted his status as worker/cog in the greater machine that is the factory. Even in his off hours he works cutting wood using a large buzz saw in his garage. But he wants something better for his son.

The son is personable and talented. He puts together a questionnaire that allows management to see how its employees feel about the 35-hour week in order to better manipulate them. By accident he discovers that management is going to fire 12 workers, most of whom have spent their entire working lives for the company. This is the crisis point for the son.

Without going into plot details, what we discover at the end is that the father despises himself because he is nothing more than a man who feeds a machine while the son reveals that he at some level hates his father because he is a factory worker, a man who had neither the ability nor the gumption to raise about his station in life and a man who is afraid to question management.

Bottom line: slow and realist to the point of being mundane with professional, but uninspired direction by Laurent Cantet.
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