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Playtime [1967]
 
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Playtime [1967]

DVD ~ Jacques Tati
4.0 out of 5 stars  (6 customer reviews)
RRP: £19.99
Price: £14.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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12 used & new available from £11.93
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Frequently Bought Together

Customers buy this item with Mon Oncle [1958] DVD ~ Jacques Tati

Playtime [1967] Mon Oncle [1958]
Total RRP: £39.98
Price For Both: £29.96

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60% buy the item featured on this page:
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Mon Oncle [1958]
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Product details

  • Actors: Jacques Tati, Barbara Dennek, Sharon Maiden
  • Directors: Jacques Tati
  • Format: Anamorphic, PAL, Widescreen
  • Language English, French, German
  • Region: Region 2 ( DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 2
  • Classification: U
  • Studio: Bfi Video
  • DVD Release Date: 6 Sep 2004
  • Run Time: 125 minutes
  • Average Customer Review: 4.0 out of 5 stars See all reviews (6 customer reviews)
  • DVD Features:
    • Main Language: French
    • Sub Titles: English
    • Hearing Impaired: English
    • Feature Commentary By Philip Kemp
    • Short Documentary Audela De Playtime
    • Continuity Supervisor Sylvette Baudrot on Tati And Playtime
    • Directors Biography
    • Original Trailers
  • ASIN: B0002CVMBM
  • Amazon.co.uk Sales Rank: 15,943 in DVD (See Bestsellers in DVD)
    (Studios: Improve Your Sales)

Reviews

Synopsis
Jacques Tati's spectacular cinematic art reached its peak in the gargantuan achievement of this film, PLAYTIME. Marking the third appearance of Tati's Mr. Magoo-like character, Mr. Hulot, PLAYTIME takes as its subject modern technology and its sometimes disastrous and always hilarious effects on the people living within it. As in most Tati films, a minimal plot (the parallel paths of Hulot and a group of American tourists), is held together by a seamless ballet of visual, aural, and conceptual gags. Tati constructed an enormous set, Tativille, rendering a high modern contemporary Paris decked in chrome, mirrors, and glass within which the surreal slapstick of PLAYTIME unfolds. Filmed in 70mm Technicolor, with sound recorded on a seven-channel stereo, the film approaches the city from a bird's eye perspective showing the complex yet abstract machinations of people and their technologies, with each character linked to the other and the whole ensemble dependant on the giant grid of the modern city. Objects, people, and sounds vie for the viewer's attention and all exert equal fascination and comedic power in the circus of Tati's modern life. From the airport to the high rise to the nightclub, Hulot weaves in and out of view, leaving a trail of bumped heads, offended sensibilities and curious glances in his wake

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