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Up All Night
 
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Up All Night

~ Razorlight
3.9 out of 5 stars See all reviews (66 customer reviews)

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Product details

  • Audio CD (28 Jun 2004)
  • Number of Discs: 1
  • Label: Vertigo
  • ASIN: B00029R5OI
  • Other Editions: MP3 Download
  • Average Customer Review: 3.9 out of 5 stars See all reviews (66 customer reviews)
  • Amazon.co.uk Sales Rank: 5,288 in Music (See Bestsellers in Music)

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Extraits
Song Title Time Price
Listen  1. Leave Me Alone 3:50£0.69
Listen  2. Rock'n'Roll Lies 3:08£0.69
Listen  3. Vice 3:13£0.69
Listen  4. Up All Night 4:03£0.69
Listen  5. Which Way Is Out 3:18£0.69
Listen  6. Rip It Up 2:24£0.69
Listen  7. Don't Go Back To Dalston 2:58£0.69
Listen  8. Golden Touch 3:25£0.79
Listen  9. Stumble And Fall 3:02£0.59
Listen10. Get It And Go 3:22£0.69
Listen11. In The City 4:50£0.69
Listen12. To The Sea 5:31£0.69
Listen13. Fall, Fall, Fall 2:42£0.69


Product Description

Amazon.co.uk Review
Up All Night might be Razorlight's debut album, but we've heard their like before: from Oasis's Gallagher brothers, whose wilful arrogance is echoed in frontman Johnny Borrell's proclamations of his own songwriting genius, or The Libertines, who share Razorlight's romantic vision of London as a city of boozy rock & roll dreams. And while those two touchstones are probably a pretty good encapsulation of the Razorlight sound--holler-along choruses, presented with a slightly greasy leather-jacket sense of urchin cool—there's certainly more to Razorlight than such a simple equation can spell. Sure, there's nothing especially original about Borrell's tales of hot clubs and pretty girls, but his delivery is passionate in all the right places: see the startling "In The City", which finds him bursting with enthusiasm, words spewing out of his mouth like a teenage Dylan. The title track is the album's highlight, a graceful number about walking the streets through 'til dawn. But the irrepressible "Rip It Up" proves Razorlight can spit out the odd party number, thieving the guitar sound direct from 70s punk pioneers Television's Marquee Moon and fleshing it out into a rabble-rousing indie-club stomper. --Louis Pattison

CD Description
Debut album from the London based sleaze-rock quartet. Released under two years into their formation the Anglo- -Swedish group rode into fame via the NME launced nu-rock movement along with UK counterparts such as The Libertines and Bloc Party. Comparisons with the New York scene pre and of the band's time are evident with the sounds evoked of The Velvet Underground, The Stooges, The Strokes as well as UK acts such as The Cure. The album includes the single 'Golden Touch'

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Customer Reviews

66 Reviews
5 star:
 (32)
4 star:
 (14)
3 star:
 (7)
2 star:
 (9)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (66 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
14 of 14 people found the following review helpful:
4.0 out of 5 stars A promising debut from London's loves, 2 Jul 2004
Despite the music press hyperbole and self-proclaimed greatness (if I had a penny for every comparison to the Gallaghers...), this album is actually very good, its only short coming being its slight lack of variation. Borrell's lip curling vocal echoes Lou Reed and Tom Verlaine, and the group have clearly been hanging around in their local record store's 'post-punk' section. The album starts blindingly, losing its way a little at the midpoint before being resurrected by shoe-in singles 'Golden Touch' and 'Stumble and Fall' and then the excellent 'To The Sea'. Much has been said about Borrell's 'grown-up' songwriting, but it seems that his lyricism, while at times highly accomplished (although Dylan-esque is perhaps too strong), is frequently lazy and repetitive. His 'falling' imagery, for instance, grates a little as it is not particularly original and is over-used. But these are only very small imperfections that marr this very promising debut. It seems to me that when Borell's songwriting does reach an artistic maturity, should their potential ephemeral 'great white hype' tag not bury them, then Razorlight will be a very important group indeed.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Bloody Good Album!, 5 Jul 2004
If you liked the singles Stumble and Fall, Rock and Roll Lies and latterly Golden Touch then you will love this album. It's fresh, frantic and energetic. It rock and rolls along nicely and Johnny's strong and distinctive vocals give the album a real edge. There aren't really any weak tracks on the album - although Golden Touch and Vice are real anthemic highlights, Johnny rightly deserves praise for his songwriting abilities.

Nothing amazingly original, but this is a solid album with great songs - what more could you ask for?!

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40 of 47 people found the following review helpful:
5.0 out of 5 stars The boy with the Golden Touch, 14 Jun 2004
By William Geoffrey (Winchester UK) - See all my reviews
Johnny Borrell's reputation precedes him. Having famously proclaimed himself to be the greatest songwriter of his generation, you could easily be forgiven for dismissing him as just another conceited and deluded young hopeful. That is until you realise that he has the material to support such a claim - with this first offering from Razorlight threatening to be the most significant debut since The Stone Roses fifteen years ago. Flanked by two Swedes, Björn Ågren's jagged guitar and the pounding bass of Carl Dalemo augment Johnny's songs, who, with a voice that belies his tender years, makes sharp observations of London life – telling seedy tales of love and rock'n'roll from the bars and backstreets of the city, far removed from the glitz and the glamour. The maturity and intelligence of the writing is startling coming from one so young. The spiky early singles "Rock n Roll Lies" and "Rip It Up" showcase the band’s energy and vigour, whilst the edgy and menacing "Up All Night" is a worthy and fitting title track. The standout tracks on the album are the majestic single "Golden Touch", sure to fill the airwaves this summer, and the thrillingly anthemic "Vice", which sounds like The Clash covering Costello. Other highlights include the frantic "Stumble & Fall", and Johnny's impassioned Dylan-esque torrent of words on the live favourite "In The City". An album with no weaknesses, and the sort of record that you like the first time around, love after the second listen, and can't stop playing from thereon in. Razorlight can seemingly do no wrong at the moment, and thankfully you get the impression there is a lot more to come from one Johnny Borrell...
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Most Recent Customer Reviews

4.0 out of 5 stars Good album shame about the singer
For me the stand out tracks on this album are Vice and Stumble and Fall. Golden Touch, Rock & Roll lies, Which Way is Out and To The Sea are also good. Read more
Published on 15 Nov 2006 by ParanoidAndroid

2.0 out of 5 stars Not what I expected
I won't lie, I think Razorlight are ok..but I expected this album to be something pretty darn good. People that I know who either own it, or have heard it said that it was... Read more
Published on 16 Aug 2006 by Shazzeth

5.0 out of 5 stars Not perfect, but I'll round-up to 5 stars
This album is by no means perfect, nearly every song has a bit at the end where the lead singer goes all manic and drags out the ending, almost spoiling the greatness that went... Read more
Published on 31 Mar 2006 by robot_tourist

5.0 out of 5 stars BEST ALBUM I OWN!!!!
Bought this album in the summer and to be honest didn't think much to it after the first listen.... Read more
Published on 11 Feb 2006 by bigdave

1.0 out of 5 stars An insult to 1-star albums
Really, really, please, let's just stop talking and actually LISTEN to Up All Night.

...

Right, now that's done, let's address the ups and downs of this album. Read more

Published on 31 Aug 2005 by simonbuckley3

5.0 out of 5 stars Definately a grower
Bought this album because I really liked the first song they brought out (vice), but I was not particularly impressed with the rest of it (like some other reviewers!!). Read more
Published on 30 Jul 2005

5.0 out of 5 stars Not even a hint of a Bad song on it.
Ignore anyone who gives it less than 4 stars. They are clearly retarded and have little or no musical taste.

Buy it, you wont be dissapointed. Read more

Published on 2 May 2005

2.0 out of 5 stars hmmm
rip it up was a fantastic record(the strokes could only dream of making such a good record!) and thats the big problem. Read more
Published on 15 April 2005

5.0 out of 5 stars ABSOLUTELY AMAZING!!!!!!!!!!!
I recently went to see Razorlight at Alexandra Palace, North London and what can i say. 2 sold out nights at a 8,000 max capacity is hard to come across but that is exactly what... Read more
Published on 6 April 2005

5.0 out of 5 stars Razorlight-a band beyond this world
If you are buying a present for your 12-16 year old son ordaughter, if you are an avid fan of alternative rock or if you just like good music then you will absolutely love... Read more
Published on 12 Mar 2005 by pieboye

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