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12 of 13 people found the following review helpful:
3.0 out of 5 stars
Hmmmmmmmmmmm, more Muzak than Music???, 19 Sep 2004
As a Paul Weller fanatic, I'm still not convinced by this release. It's listenable, yes, but it is like an album of B-sides from singles perhaps and maybe a more suitable follow-on from the "Button-Downs" Disc on the 'Fly On The Wall' compilation. Weller has stated that this is something he wanted to do for a long time, and his new lable (V2) have given him all the freedom to do it. Maybe just a bit too much freedom perhaps. Sure, the songs are good, but re-working classics is never going to be a sure fire hit for someone who as written hundreds of classic songs in a career over 25 years old, especially from his solo years. He said that he didn't want to do songs from the likes of Small Faces, Kinks, The Who, The Beatles etc because he didn't feel he could add any more too them, but maybe he should've included a couple as that is what a lot of fans would love to hear - for example in the past he's played 'Tin Soldier' by the Small Faces on live sets, 'Magic Bus' by The Who is almost routine now as an ending to 'Bull-Rush'. Not that these songs should be covered for an LP, but we'd love to hear his voice covering those legends we hold him in the same regards as (Steve Marriot, Roger Daltrey, John Lennon). This is where V2 should have maybe showed more control and asked him to add a few more popular classics on there, in space of a very feeble version of the Bacharach and David penned song for the Carpenters, 'Close To You', and 'All Along The Watchtower' is always going to remembered as a Dylan or Hendrix track, this version doesn't compete on their levels. The higlight for me was the opening track, 'If Only I Could Be So Sure', and 'Wishing On A Star' is good, covered almost along the same thematic lines as 'Broken Stones' on the Stanley Road album. I await the return of his high standard in song-writing, hopefully this won't be a long wait. Maybe he needs to change his line-up a bit, as this is what made albums such as Wild Wood and Stanley Road such a success - the various sessioning from established musicians.
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