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Gettin' In Over My Head
 
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Gettin' In Over My Head

~ Brian Wilson
3.1 out of 5 stars See all reviews (21 customer reviews)
Price: £7.48 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Gettin' In Over My Head + Orange Crate Art + Brian Wilson
Price For All Three: £18.44

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  • Orange Crate Art ~ Brian Wilson & Van Dyke Parks

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Product details

  • Audio CD (21 Jun 2004)
  • Number of Discs: 1
  • Label: Brimel/Rhino
  • ASIN: B00028HBMA
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.1 out of 5 stars See all reviews (21 customer reviews)
  • Amazon.co.uk Sales Rank: 73,465 in Music (See Bestsellers in Music)

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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Extraits
Song TitleArtist Time Price
Listen  1. How Could We Still Be Dancin' (LP Version)Brian Wilson & Elton John 4:41£0.69
Listen  2. Soul Searchin' (LP Version)Brian Wilson & Carl Wilson 4:07£0.69
Listen  3. You've Touched Me (LP Version)Brian Wilson 3:20£0.59
Listen  4. Gettin' In Over My Head (LP Version)Brian Wilson 4:27£0.59
Listen  5. City Blues (LP Version)Brian Wilson & Eric Clapton 4:19£0.69
Listen  6. Desert Drive (LP Version)Brian Wilson 3:34£0.59
Listen  7. A Friend Like You (LP Version)Brian Wilson & Paul McCartney 3:37£0.69
Listen  8. Make A Wish (LP Version)Brian Wilson 3:49£0.59
Listen  9. Rainbow Eyes (LP Version)Brian Wilson 4:06£0.59
Listen10. Saturday Morning In The City (LP Version)Brian Wilson 2:53£0.59
Listen11. Fairy Tale (LP Version)Brian Wilson 5:28£0.59
Listen12. Don't Let Her Know She's An Angel (LP Version)Brian Wilson 4:17£0.59
Listen13. The Waltz (LP Version)Brian Wilson 4:09£0.59


Product Description

Amazon.co.uk Review
Having miraculously survived decades of personal and creative turmoil, Brian Wilson re-emerged in the 90s to reclaim his incomparable pop music legacy with joyous tours that celebrated both the music that made him a star and Pet Sounds, the album that forever secured his legend. Utilising the remarkable, dedicated band of musicians who backed him on those shows, Wilson re-entered the studio to once again pick up the promising, yet ever fitful recording career that last yielded '96's vocally gorgeous, if production cloistered Imagination. It's that renewed dedication to organic musicianship, coupled with a robust slate of Wilson songs new and old that will thoroughly delight admirers of the Beach Boys mastermind. Three of Wilson's '60s/'70s contemporary superstar/admirers contribute performances: Elton John's forceful take on "How Can We Still Be Dancing" evokes the rollicking, youthful prime of both legends; Paul McCartney's guitar and vocals are considerably more subdued on the typically wistful "A Friend Like You"; Eric Clapton's searing guitar nearly overwhelms the chunky rhythms of "In the City." There's also a touching reunion with the disembodied voice of late brother Carl as Brian completes the latter's unfinished mid-'90s track "Soul Searchin'," but the real star here is Wilson's enduring muse. He variously evokes the spirit of Spector past and his old band on "You've Touched Me" and "Desert Drive" respectively then reunites with Smile/Orange Crate Art collaborator Van Dyke Parks on the rustic, fiddle-adorned skewed romance of "The Waltz." The lovely, timeless title track effortlessly dispels any whiff of nostalgia, securing its place as one of Wilson's best contemporary ballads and delivering on this album's most rewarding promise: Brian is indeed back, and gloriously so. --Jerry McCulley

Album Description
Gettin In Over My Head sees the return of one of the most influential songwriters of all time. Following Brian Wilson's triumphant return to the music scene with his Pet Sounds and Smile tours, this new studio album is something of a holy grail to fans of the Beach Boys, for whom Wilson wrote around 40 years ago. This album features stunning guest appearances by Sir Paul McCartney, Eric Clapton and Elton John.

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Customer Reviews

21 Reviews
5 star:
 (4)
4 star:
 (5)
3 star:
 (6)
2 star:
 (2)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.1 out of 5 stars (21 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
8 of 8 people found the following review helpful:
4.0 out of 5 stars Welcome addition to Brian Wilson's canon, 3 Aug 2004
By A. Gulliver "absinthe_boy" (Luton, UK) - See all my reviews
(REAL NAME)   
I'm pretty sure that some reviewers are negative about this album because of what it's not. It does not pretend to be another Pet Sounds or SMiLE...it is a collection of high quality songs, most of which would fall into the pop category and not far removed from most of Brian's work with the Beach Boys. Take the album for what it is and you should enjoy.

The opener sees Elton John in Crocodile Rock form, giving a punchy lead vocal to one of the albums rockier tracks. We then have the closest we shall ever get to a new Beach Boys song with Carl Wilson duetting with Brian on a song that almost sounds like a 50's ballad. Finally on the third track Brian gives us his first lead vocal and though his voice isn't what it was, the 62 year old Wilson still sounds like nobody else. The voice is instantly recognisable and hauntingly beautiful, it just doesn't quite have the range it once did - but who's voice does at 62?!?

Standout tracks include the title song, which is a beautiful song full of Brian's trademark harmonies, and Desert Drive which is another song from Brian in Beach Boys mode. A personal favourite of mine is "Fairy Tale" which also features some fantastic harmonising and multi-tracking of Brian's voice.

What we have here is the first album actually produced and arranged by Brian Wilson since the late 1970's, without outside interferance. It is not a concept album, the songs have no cosmic link and once you realise this and just sit back to enjoy the excellent music, the experience is very pleasing.

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3 of 3 people found the following review helpful:
3.0 out of 5 stars some strange choices by the genius of pop!, 25 Jun 2004
On evidence of the early to mid 90s bootlegs i own, this could and should have been a very strong record, yet in raiding the vaults, Brian has lost a lot of the songs original 'feels' and magic in re-recording. There is a bootleg version of soul searchin with a incredibly powerful Carl vocal (he really takes off on the bridge) and amazing background harmonies. What happened? Why didn't Brian use this version? The title track, although 'fleshed out', has also lost a lot of the originals emotion (no doubt Brians voice has lost a gear). Which brings me onto the question of why no band vocals? Of all people Brian should understand the richness of different voices mixing, as shown on the fun Desert Drive (shame about some of the chorus lyric tampering though - from 'going on a desert drive' to 'i'm gonna take good care of you'??). Elton and Paul? another two tracks spoilt! Eric? no better than Scott Bennett's solo (band vocals also badly missed here!) However Brian fans, this cd is worth buying for 'don't let her know she's an angel', 'fairy tale' 'the waltz' and 'you've touched me'. All proof that Brian still has 'it'!! As mentioned in a recent interview by Brian, there are still great songs in the vaults...'it's not easy being me', 'your still a mystery', 'chain reaction of love', 'market place' and 'this song wants to sleep with you'....but would they too loose energy in re-recording?
Let us hope that the great man has used this album to 'warm up' and really do SMILE justice!
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8 of 10 people found the following review helpful:
4.0 out of 5 stars Well worth the wait......., 24 Jun 2004
By A Customer
Brian Wilson is often called a genius. This is a difficult one to define but it is without doubt that he with his various compatriots over the years has brought us some of the most enjoyable popular music ever created. He has also created some the most odd and troubled songs. After his renaissance in the late 90s and his subsequent live touring he has shown that his "twilight years" will not see him going for the pipe and slippers quite yet. This album (his first solo effort for 6 years) sees him resurrect some old songs and dish up some new ones too. He has also seen fit to bring in some "guests". One of these is his deceased brother Carl with whom he duets (through the miracle of modern science) with on "Soul Searchin'". This works fine. As does Elton John ("How could we still be dancin'"), Eric Clapton less so on City Blues (solo recorded in another country and patched in), the guitar sounds a little strident and, in places, unnecessary. The one he definitely didn't need was one Paul McCartney. "A friend like you" is a pleasant ditty, the sort that Wilson can carry off quite well in a quaint sort of way, not mawkish, just "pretty". Having McCartney, talented as he obviously is (he was in a popular 60s beat combo, The Beatles apparently) endlessly vocally 'noodling' with the same phrase is just plain irritating. The highlights of the album for me are the title track and "Don't let her know she's an angel", in my opinion classic Wilson songs. All in all, a good and for the most part, very listenable album that should stand repeated playing. As a parting shot, I would say that these recordings stand up much better than the live renditions of some of them that I have seen and heard during the recent touring concerts. 4 out of 5 stars then.
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Most Recent Customer Reviews

1.0 out of 5 stars Oops!
I have been a fan of Brian Wilson since the 60's and I feel very disappointed with this album. The melodies are "samey", showing nothing original and the lyrics for the most part... Read more
Published 10 months ago by G. Cotterill

4.0 out of 5 stars Made today for 60s times
Anyone ever noticed how Brian Wilson is looking like Paul McCartney?
The ex Beatle turns up here as one of the guests-maybe showing a Ringo Starr influence
The sleeve... Read more
Published 14 months ago by Richard

4.0 out of 5 stars A real good effort
Brian Wilson is often called a genius. This is a difficult one to define but it is without doubt that he with his various compatriots over the years has brought us some of the... Read more
Published on 15 Feb 2005 by TeamScoop

2.0 out of 5 stars Poor
I love BW but this is a shallow effort. Poor songs, poor production, poor performances. If you are new to BW start elsewhere.
Published on 13 Jan 2005

3.0 out of 5 stars I have to admit it's gettin better
Well the first time I heard the album I was a little depressed, but I have worked on it and I am coming round to quite liking it! Read more
Published on 27 Aug 2004 by johnnypotter

3.0 out of 5 stars Not Brian's greatest solo effort, but it has its merits
I was eagerly waiting for Brian's new album and though it wasnt quite what I expected it to be, still there are several good songs on it, proving that Brian hasnt lost it. Read more
Published on 26 Jul 2004

1.0 out of 5 stars The Last Waltz
This collection of "lost" Wilson gems [dating back in one case to 1967]should represent closure on the Wilson is a Genius myth,there is someone walking about who once was Brian... Read more
Published on 20 Jul 2004 by Mr. J. Crowther

5.0 out of 5 stars Those spiritual sounds
It's hard to be objective about a new Brian Wilson release...this is the man who has influenced popular culture and the music industry more than most, and who has been through so... Read more
Published on 8 Jul 2004 by andrewggladwin

3.0 out of 5 stars Brian Wilson Doing What He Does Best
After a six year wait Brian wilson Returns with a follow up to 1998 Imagination. Gettin In Over My Head. Read more
Published on 29 Jun 2004 by Mr. D. J. Levesley

3.0 out of 5 stars Curates Egg For Sure!
As a Beach Boys fan for over 30 years a new Brian Wilson album is always eagerly awaited. So what has it to offer? Read more
Published on 28 Jun 2004

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