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Track Listings
| 1. A Doubt |
| 2. An Exercise |
| 3. Time Runs Out |
| 4. Loss |
| 5. Unchanging |
| 6. The Mirror |
| 7. A Loop |
| 8. Wishing |
| 9. Far Away |
| 10. The Days Have Turned |
| 11. Helical |
| 12. The Will To Death |
Product Description
Album Description
The legendary sometime member of the Red Hot Chili Peppers, John Frusciante, returns with his solo album The Will to Death. His first recording under the Record Collection label, this is considered to be one of his best albums yet, with influences ranging from 60s psychodelia to modern funk-rock. The same vibes of Shadows Collide with People are present, but his amazing musical talent is ever evolving and this is apparent on this album.
Description
John Frusciante's third solo album since reuniting with theRed Hot Chili Peppers, THE WILL TO DEATH, bears little resemblance to his full-time gig--rather, Frusciante seems to bedrawing inspiration from classic 1960s folk- and garage-rock, the kind found on the legendary NUGGETS compilation. Recorded in less than a week with Frusciante and Josh Klinghoffer playing all instruments, WILL has a wonderfully unrefined feel throughout, yet avoids coming off as haphazard. The guitar sound seems to place the listener in the duo's makeshiftstudio, with drums crashing and thumping, and keyboards provide emotional shadings. Frusciante sings in a plaintive, expressive, and immediate voice, as if this were the first and, maybe last chance, to get these songs out. The downcast ruminations of "The Mirror" recall the reflective ballads of Elton John circa HONKY CHATEAU, and the seething drone-rocker"An Exercise" finds Frusciante channeling the Velvet Underground at its most melodic. Despite its rather glum title, THE WILL TO DEATH finds its author more inspired and committedto making music than ever.
The legendary sometime member of the Red Hot Chili Peppers, John Frusciante, returns with his solo album The Will to Death. His first recording under the Record Collection label, this is considered to be one of his best albums yet, with influences ranging from 60s psychodelia to modern funk-rock. The same vibes of Shadows Collide with People are present, but his amazing musical talent is ever evolving and this is apparent on this album.
Description
John Frusciante's third solo album since reuniting with theRed Hot Chili Peppers, THE WILL TO DEATH, bears little resemblance to his full-time gig--rather, Frusciante seems to bedrawing inspiration from classic 1960s folk- and garage-rock, the kind found on the legendary NUGGETS compilation. Recorded in less than a week with Frusciante and Josh Klinghoffer playing all instruments, WILL has a wonderfully unrefined feel throughout, yet avoids coming off as haphazard. The guitar sound seems to place the listener in the duo's makeshiftstudio, with drums crashing and thumping, and keyboards provide emotional shadings. Frusciante sings in a plaintive, expressive, and immediate voice, as if this were the first and, maybe last chance, to get these songs out. The downcast ruminations of "The Mirror" recall the reflective ballads of Elton John circa HONKY CHATEAU, and the seething drone-rocker"An Exercise" finds Frusciante channeling the Velvet Underground at its most melodic. Despite its rather glum title, THE WILL TO DEATH finds its author more inspired and committedto making music than ever.