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After Hours [DVD] [1985] [Region 1] [US Import] [NTSC]
 
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After Hours [DVD] [1985] [Region 1] [US Import] [NTSC]

DVD ~ Griffin Dunne
4.5 out of 5 stars See all reviews (15 customer reviews)

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Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

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Product details

  • Actors: Griffin Dunne, Rosanna Arquette, Verna Bloom, Tommy Chong, Linda Fiorentino
  • Directors: Martin Scorsese
  • Producers: Griffin Dunne, Amy Robinson, Deborah Schindler
  • Format: Anamorphic, Closed-captioned, Colour, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
  • Language English, French
  • Subtitles: English, Spanish, French
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Classification: R (Restricted) (US MPAA rating. See details.)
  • Studio: Warner Home Video
  • DVD Release Date: 17 Aug 2004
  • Run Time: 97 minutes
  • Average Customer Review: 4.5 out of 5 stars See all reviews (15 customer reviews)
  • ASIN: B000286RNE
  • Amazon.co.uk Sales Rank: 33,033 in DVD (See Bestsellers in DVD)

Reviews

Amazon.co.uk Review
This well-regarded cult film is a tense Kafka-esque tale concerning what happens to a likeable computer guy who is in the wrong place at the wrong time in the city that never sleeps--New York. This is a New York infested with bizarre characters vividly brought to life by a once-in-a-lifetime cast. Griffin Dunne's wonderfully controlled comic performance as Paul Hackett is the glue that holds this increasingly surreal film together. Scorsese utilises a full array of independent and underground film techniques, including special film speed manipulations, angles and edits, deftly capturing the strange rhythms of an After-Hours New York City. Many will find the jokes clever and occasionally laugh-out-loud funny. Some, however, will find the film an excruciating series of staged circumstances setting up a sadistically cruel dark nightmare of horrors. And there are a few lines of dialogue so poorly written they remind you how unbelievable the thin story really is. But forgive the film these few lapses--overall it's a wild, surreal ride. The most offbeat character is the beehive-sporting, Monkee-obsessed neurotic played to perfection by Teri Garr. And the moment when Griffin Dunne uses his last quarter to play Peggy Lee's "Is That All There Is" and dances with Verna Bloom while an angry mob searches SoHo for him is an inspired bit of lunacy. --Christopher J. Jarmick

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Customer Reviews

15 Reviews
5 star:
 (9)
4 star:
 (4)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (15 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
4 of 5 people found the following review helpful:
4.0 out of 5 stars A good case for being home during the wee hours, 4 Jan 2003
By Joseph Haschka (Glendale, CA USA) - See all my reviews
(TOP 50 REVIEWER)   
How often are you on the streets of the Big City after midnight? Have you ever wondered if maybe sleeping at night, a habit followed by "normal" people, acts as a barrier to encountering marginally functional night owls?

In the 1985 film AFTER HOURS, Griffin Dunne, an actor vaguely reminiscent of Dudley Moore, plays Paul Hackett, an anonymous computer nerd working in New York City at some mind-numbing post in a high-rise cubicle. He lives, eats, and sleeps isolated in a sterile apartment, without even a goldfish for company. Paul needs to get out more and find a fun loving girl.

Late one evening, while reading alone at a local café, Hackett is approached by Marcy, captivatingly played by Roseanna Arquette, who comments on his reading tastes. One thing leads to another with wild abandon, and soon she gives him her phone number thinking he may wish to buy one of her roommate's craftsy creations - a paperweight disguised as a plaster of paris bagel-with-cream cheese. Later, Paul calls. Amazingly, Marcy invites him to her place in SoHo, even though it's soon to be past midnight.

Arriving at the loft Marcy shares with her roommate, the nonchalantly sexy Kiki, Hackett is told by the latter that Marcy has stepped out for a moment to the local pharmacy. Paul asks, "Is she alright?" Kiki's answer, the disconcerting nature of which should give our hero an intimation as to what awaits him AFTER HOURS, is: "It's under control". And to whom is Kiki alluding when she casually mentions people she's known whose bodies are disfigured by horrible scars? Marcy is unblemished ... isn't she?

By the end of the film, when Paul staggers exhausted into his workplace the next day covered in plaster dust, the diversion has been watching Hackett ricochet from one situation to the next, and one denizen of the night to the next, each of which exhibits a certain disconnection with reality that Paul's coping skills can almost, but not quite, navigate. Indeed, on at least a couple of occasions, Hackett has the opportunity to become intimate with an attractive (albeit slightly askew) woman, only to have the opportunity snatched away by bizarre circumstance. Is it all a cosmic joke? Why, for instance, does the edgy blond waitress, played so appropriately by Teri Garr, surround her bed with mousetraps? (Squeak!)

AFTER HOURS is not a great film by any standard, but it is darkly humorous and off-beat enough to be thoroughly enjoyable, and to remind the viewer why it was Mom and Dad cautioned one to be home by the witching hour.

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5 of 7 people found the following review helpful:
5.0 out of 5 stars BEWARE OF STRANGE WOMEN IN LATE NIGHT CAFES..., 6 Jul 2005
By Red Rob (United Kingdom) - See all my reviews
The most important thing I can say to you about After Hours is - BUY THIS NOW! Probably Martin Scorceses' most underrated film and arguably his best. Weird, unnerving, tense (especially when the hero looks like the Mr Whippy lynch mob have finally cornered him. Sorry, you'll have to see the film), but most of all funny. Imagine all the weirdest nights out you've ever had, try to remember some of the strange people you've met over the years and then think for a moment what it would be like to have all that weirdness and strangeness come together on just ONE NIGHT. Well, that's what After Hours is about, the weirdest and strangest night you could ever have. Fantastic film! 10/10
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1 of 1 people found the following review helpful:
5.0 out of 5 stars The essence of black humour, 4 Feb 2009
This is by far my favourite film. If I'd written the script for it, I'd die happy.

I love the symmetry of its structure. It starts as Paul leaves his tedious job at the end of the day and ends as he fetches up at the office again the morning. We are therefore given two glimpses of Paul's ordinary daily life, but in between the film plunges us into a weird dreamlike hinterland. This involves curious funny/sad encounters that make no sense on a rational level but are perfectly in keeping with the dream world - that might be a reflection of Paul's own subconscious desires as much as the reality of night-time New York - the film so stunningly creates.

It's also perfectly balanced on the divide between humour and the genuinely disturbing. It is a wildly funny film, with almost every scene based on some completely absurd premise. For instance, Paul unties Kiki, thinking that he is rescuing her, only to find that he's just interrupted a bondage session with her Teutonic lover, Horst ('That was rude, Paul. You really should be ashamed of yourself'). But this humour comes out of disturbed and alienated lives, and we're never allowed to forget that. The scene where Marcy tells Paul about her husband's Wizard of Oz fixation ('He just couldn't stop. He just couldn't stop. He just couldn't stop') is hilarious, but there's something about the manic intensity with which she tells the story that is quite unsettling - and this uncomfortable mix of humour and the genuinely disturbing is pursued mercilessly throughout the film.

Ultimately, it's a very Kafkaesque movie (one of the scenes even uses dialogue from a Kafka novel) - it creates a labyrinth in which Paul is thwarted at every turn by people whose motivations are never entirely clear and by situations that remain inscrutable.

Some have criticised After Hours on the basis that the sequence of encounters Paul is subjected to are not realistic - too contrived and coincidental. I think this is missing the point - it's a bit like saying that most court cases are not conducted in the way that the case against Josef K in Kafka's 'The Trial' is conducted. The point is that these encounters are not realistic within the context of ordinary life, but they are in keeping with the very defined frame of reference of the film & they are designed (i.e. exaggerated) in order to bring us face to face with the illogicality of the world and the illogicality of our subconscious desires. The hinterland Paul wanders through is as much a dreamscape as reality & the logic of the encounters he's involved in is largely dream-logic.
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Most Recent Customer Reviews

5.0 out of 5 stars Brilliant and Original Black Comedy
This film, for me, is great film making. It stands completely on its brilliant, original story plus great acting from all. Read more
Published 10 months ago by Fritz

4.0 out of 5 stars Scorcese's Most Underrated Work.
It's a shame this DVD is only available at a high price or as part of a Martin Scorcese box set in the UK as it is a superb and underrated film. Read more
Published 13 months ago by nm1270

3.0 out of 5 stars I wanted to like this, but.........
After the failure of the King of Comedy, Scorsese needed to become inventive and became part of the 80s parade, which was his only way of encouraging people to look at his often... Read more
Published on 13 April 2007 by I. Thomson

5.0 out of 5 stars So Surreal
I agree with the previous reviewers. The first time I watched this film (and the best)was in the wee small hours one night when, as it happens, I couldnt sleep. Read more
Published on 10 Dec 2006 by LorenzoStDubois

5.0 out of 5 stars After Hours
So glad to see that many others have enjoyed this dark, surreal Scorcese masterpiece. Every turn our hero takes leads him to yet another dilemma. Read more
Published on 27 Jun 2005 by Mr J Rowand

4.0 out of 5 stars After Hours
After Hours is maybe one of the strangest films I have ever seen. It begins extremely extremely slowly and I almost gave up on it after half an hour or so, all I can say having... Read more
Published on 1 Mar 2005 by Rich Milligan

5.0 out of 5 stars What a film!
I saw After Hours for the first time last week and can honestly say that it is in my top 5 films of all time. Read more
Published on 1 Mar 2005 by Andrew Morris

4.0 out of 5 stars Highly underrated
This is one of Martin Scorsese's underrated and underappreciated movies, about Paul, a quiet computer programmer who goes out on a date with a girl he meets in a coffee shop, only... Read more
Published on 2 Nov 2002 by hlgrffths

3.0 out of 5 stars A night out with Kafka, Travis Bickle and Basil Fawltey
Very, very strange. I first saw it when I was about 12, expecting it to be a zany black comedy along the lines of "Betelgeuse" but ended up disappointed. Read more
Published on 26 Jul 2002 by -meaulnes-

5.0 out of 5 stars This is a film set apart
This film manages to do two things that films rarely do at the same time; to be well structured and actually following a story while being totally inspired and surreal. Read more
Published on 5 Mar 2002

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