Kill Bill, Volume 2 [DVD] [2004]

Second, for everybody who thinks that on the basis of "Kill Bill, Volume 1" that they know what is going to happen in "Kill Bill, Volume 2," be ready to be surprised. I made a point of watching the Bride (Uma Thurman) check Vernita Green (Vivica A. Fox) and O-Ren Ishii (Lucy Liu) off of her people to kill list before I headed out to theater to see how the saga ended, so I thought I was perfectly in the narrative flow. However, Quentin Tarantino has set up his audience just to play with their minds, which, of course, is what he was doing from the start and at the climax of this film I was not at all sure who, if anyone, was going to come out alive (especially since I was suddenly thinking about the tragic end of "Lone Wolf and Cub").

The caveat when Mirimax decided to split this four-hour revenge film into two volumes was that those who sensed a lack of character development and motivation in Volume 1 would be appeased by what was put forth in Volume 2, and this is indeed the case. We finally get to go back and see a couple of pivotal scenes set before the "beginning" of the film's opening, with not only the massacre at the Two Pines wedding chapel but a training sequence in which the Bride studies with the great Pai Mei (Chia Hui Liu), who will inspire many men to grow long flowing white beards that they can whip around dramatically as a punctuation to everything they say. The net result is that character is more important than killing in the last half of the film, which makes sense because it would really be hard for the Bride to slice and dice more opponents than she did at the House of Blue Leaves.

There are a lot of oppositions between the two halves of this film. The beautiful setting of the duel between the Bride and O-ren in the gentle falling snow is countered by the showdown with Budd (Michael Madsen) in the harsh sunlight of his trailer in the desert. Having devoted an entire chapter to Hattori Hanzo creating his most perfect sword for the Bride, it is amazing how hard it is to get the sword out of its scabbard in this one. Volume 1 was a feast for the eyes, but in Volume 2 Tarantino's dialogue becomes more prominent, although not quite up to the level of "Pulp Fiction." But the dialogue is important because before we get around to the titular business of this film, the Bride and Bill have got to have themselves a conversation. Sound also matters more in this film: there is one sequence that is effectively done in the dark.

I am barely acquainted with the genre of Hong Kong films that Tarantino was apparently weaned on, so everything is fairly new to me and smacks more of homage than parody, which is not doubt the director's intent. I probably will not go out and check out some of the films that inspired Tarantino to do "Kill Bill," because they will undoubtedly pale in comparison to the slicked up version that he is serving for our American palates. All things considered, I have a slight preference for Volume 1, which runs counter to the prevailing sentiments, but I am still working out how the two parts fit together. The key thing is that they do, without Volume 2 being simply more of the same. There is something to be said for Tarantino pulling out all the stops just to have fun.

The second instalment of the phenomenal Kill Bill, is not better than part 1, but just as good. The two films are totally differente from one another, volume 1 is more oriental, japanese samurai style, with lots of colour and style, whereas vol.2 is more weastern and the picture is darker and less stylised. This also has much more spectacular dialogue and much more story, telling you more so you understand her motives for revenge. And if you were not a great fan of vol.1 (Which is basically impossible!) watch vol.2 and you will find yourself appreciating vol.1 much more than you think.

This film is not perfect, neither was vol.1, because yes the dialogue is great, but when bill and the bride are face to face, his lines do tend to drag on quite a bit, making the veiwers a tiny bit bored, but watching David Carradine from Kung-fu fame years ago he keeps you interested, that is if you grew up watching his t.v. series.

The acting is startingly good. Uma Thurman does an amazing job as the rampaging Bride, and Daryl Hannah makes an unbelievable come back (That Quentin also did for John Travolta in Pulp Fiction) as the vile, spiteful, evil ex-rival Elle Driver. Bud (Micheal Madson, Mr. Blonde in Resevoir Dogs) is just as good as the trailer trash brother of Bill, and David Carradine is equally as good as the rest of the cast. Oh, and see if you can spot Samuel L. Jackson's (Jackie Brown, Pulp Fiction)cameo as the Orchestra player at the wedding chapel. This is a tremendous film, both are for a fact. And there is rumour that when this is out to buy on DVD there will be a special edition of both films, together on a disc, for four hours of uncut Kill Bill footage! Which is something definetaly worth the wait.