Amazon.co.uk Review
Are you ready to get down with the sickness? Movie logic dictates that you shouldn't remake a classic, but Zack Snyder's
Dawn of the Dead defies that logic and comes up a winner. You could argue that George A. Romero's
1978 original was sacred ground for horror buffs, but it was a low-budget classic, and Snyder's action-packed upgrade benefits from the same manic pacing that energized Romero's continuing zombie saga. Romero's indictment of mega-mall commercialism is lost (it's arguably outmoded anyway), so Snyder and screenwriter James Gunn compensate with the same setting--in this case, a Milwaukee shopping mall under siege by cannibalistic zombies in the wake of a devastating viral outbreak--a well-chosen cast (led by Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer), some outrageously morbid humor, and a no-frills plot that keeps tension high and blood splattering by the bucketful. Horror buffs will catch plenty of tributes to Romero's film (including cameos by three of its cast members, including gore-makeup wizard Tom Savini), and shocking images are abundant enough to qualify this
Dawn as an excellent zombie-flick double-feature with
28 Days Later, its de facto British counterpart. --
Jeff Shannon
Synopsis
First-time director Zack Snyder remakes zombie master George A. Romero's classic 1978 gore-fest DAWN OF THE DEAD, wisely replicating only the basic elements of Romero's movie, and instead sticking to his own vision of a world overrun by undead flesh-eating creatures. The action begins with nurse Ana (Sarah Polley) waking up to discover her boyfriend has become a tasty midnight snack for a formerly cute neighboring kid. To her horror, she realizes that the whole town is in a similar state of ghoulishness, until she runs into still-alive cop Kenneth (Ving Rhames); the levelheaded Michael (Jack Weber); and Andre (Mekhi Phifer), a rebel with a pregnant wife in tow. As in Romero's original, the group heads for the local mall where they barricade themselves inside. More survivors surface, while in the outside world the zombies go about their day by slowly taking over the planet. Undeterred by the odds against them, the survivors plot, scheme, and enjoy their mall paradise. As they plan their escape, some incredibly gruesome special effects are deployed, often with a dash of wry humor added for light relief.
Placing the messages from Romero's version--a funny, scary look at consumerist society--on the back burner, the 2004 version of DAWN OF THE DEAD instead concentrates on delivering a witty blood-fest. The zombies appear to have taken their cues from the fast-moving corpses of Danny Boyle's 28 DAYS LATER, and are generally much more agile than their 1978 counterparts. Director Snyder gets the balance between humorous set-pieces and plot development exactly right throughout, producing an enjoyable remake that can easily hold its own alongside the deservedly hailed original film.