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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Great movie, but hits some hot buttons, 14 Feb 2006
A somewhat lovable epicurean womanizer (Rémy Girard as Rémy) is dying of cancer in the hallway of a crowded Quebec hospital. His accomplished millionaire son Sebastian (Stéphane Rousseau) decides that as a fitting last gesture of love for his partially estranged father he will make dad's last days as happy and comfortable as possible. To this end he gets him not just a private room, but a private floor in the basement of the hospital by bribing the right people. He recruits a handful of Rémy's old friends and ex-lovers to come and visit him amid sumptuous servings of food and wine. He pays some ex-students to come and remember their not exactly beloved teacher. And finally he gets a strayed family member Nathalie (Marie-Josee Croze who won the Best Actress award at Cannes for her performance) to procure and administer heroin to Rémy for his pain.Girard is excellent in the part (although he carries a bit too much weight for a guy about to die of cancer); but what makes this an outstanding film is the award-winning script and direction by Denys Arcand. This is a movie that is witty, honest, funny, sentimental (but not too sentimental), deeply human, candid about life, love, sex, and death, and filled with the kind of sharp, satirical dialogue that all screenwriters wish they had the ability to write. However this movie will offend some people, which accounts for some of the nasty reviews. First, there is the little matter of heroin. Arcand makes the experience seem like something wonderful and absolutely necessary in a medical sense. But a closer look reveals that this justified use is only for Rémy who is a terminal patient in excruciating pain. Note that Nathalie is a junkie who is ruining her life and knows it. Second, there is the candor about Rémy's sex life and the many risque jokes including some from an old gay couple that may offend some mainstream viewers. And there is an elitist feel to the intellectual atmosphere of the gathered friends that will not set well in America's (or Canada's) Heartland. And some will be offended by the implication from Sebastian's arrogant and successful behavior that money can buy almost anything and that corruption is the order of the day. And finally there is the matter of euthanasia which some viewers find immoral. However this is not primarily a political movie. The dialogue that refers to the evolution of some of the characters from socialists to deconstructionists, is kind of like somebody from say Texas recalling that "I used to be long-haired hippy but now I'm clean-shaven evangelical." It's appropriately atmospheric talk from Rémy's academic world. The real story here is about how to live and how to die. Arcand's prescription is to live life to the fullest and to die peacefully in your sleep. This is the civilized way, and that is part of the reason that the film is ironically called "The Barbarian Invasions" (from a line in the film). When it comes to civilization the barbarians are always at the gate. Of course if we want to get symbolic, the barbarian invasions could include the cancer itself, especially when we consider that Rémy is a history professor who has spent a lifetime reading, writing and lecturing about barbarian invasions. (By the way, whether the 9/11 attacks on the US are barbarian invasions is again beside the point of the movie.) Bottom line: this film won a slew of international awards including the Oscar for Best Foreign Language Film in 2004. It is one of the best films I've seen in a while. I would rate it in my top one hundred of all time.
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