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Harry Potter and the Prisoner of Azkaban
 
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Harry Potter and the Prisoner of Azkaban [Enhanced] [Soundtrack]

~ John Williams (Artist)
4.6 out of 5 stars  (11 customer reviews)
Price: £7.98 & eligible for Free UK delivery on orders over £15 with Super Saver Delivery. See details and conditions
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Customers buy this with Harry Potter and the Goblet of Fire ~ Original Soundtrack

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Price For Both: £16.96

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Product details

  • Audio CD (31 May 2004)
  • Number of Discs: 1
  • Format: Enhanced, Soundtrack
  • Label: Atlantic
  • ASIN: B000249EY2
  • Other Editions: Audio CD
  • Average Customer Review: 4.6 out of 5 stars See all reviews (11 customer reviews)
  • Amazon.co.uk Sales Rank: 8,116 in Music (See Bestsellers in Music)

    Popular in these categories:

    #20 in  Music > Soundtracks > Themes > Science Fiction
    #99 in  Music > Soundtracks > Film Scores

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Track Listings

1. Lumos! (Hedwig’s Theme)
2. Aunt Marge’s Waltz
3. The Knight Bus
4. Apparition On The Train
5. Double Trouble
6. Buckbeak’s Flight
7. A Window To The Past
8. The Whomping Willow And The Snowball Fight
9. Secrets Of The Castle
10. The Portrait Gallery
11. Hagrid The Professor
12. Monster Books And Boggarts!
13. Quidditch, Third Year
14. Lupin’s Transformation And Chasing Scabbers
15. The Patronus Light
16. The Werewolf Scene
17. Saving Buckbeak
18. Forward To Time Past
19. The Dementors Converge
20. Finale
See all 24 tracks on this disc

Product Description

Amazon.co.uk Review
If the commercial constraints of genre and chronic Hollywood sequelitis threaten to musically straitjacket even a legend like John Williams, the veteran playfully rebuffs such cynicism in his rich, mirthful score for this third chapter of the Harry Potter cycle. Whether inspired by a wilful desire not to repeat himself, the continued reinvention of his jazz roots that brightened his scores for Spielberg's Catch Me If You Can and The Terminal, or the story's requirement for a handful of fresh themes, Williams informs his work here with an often dizzying range. The warm mysticism of "Hedwig's Theme" and classical farrago of "Aunt Marge's Waltz" can scarcely prepare one for the swinging, off-kilter "Knight Bus," a romp that suggests a head-on collision between the big-band bombast of 1941 and the loopy, Cantina Band kitsch of Star Wars. From there Williams skips back a half-millennium or so for inspiration, conjuring the ancient children's chorus "Double Trouble" (its text adapted from no less than MacBeth), a medieval theme that becomes one of the score's inspirational foundations. Those with a taste for the composer's patent orchestral thunder won't be disappointed either, as the Herrmann-influenced percussion/brass